The Lost Notes reveal more than you think.

Some of The Lost Notes

When the new book by Diz was conceived it was after the discovery of many pieces of writing had been found in a box at the back of a cupboard. Writing that had been written a long time ago. Some of it was even over twenty years old! Half written projects, ideas that had been quickly noted down – but were not fully formed. None of it was a cohesive narrative. Taking the concept of William Burroughs cut ups – it was decided to take these many separate themes and ideas and create something new. Creating a character that linked the different mediums together, and with that character being a jazz musician – so the concept of composing came to mind. Like any piece of Jazz there are those moments that hook you in, and take you on a journey – and then the tune can take you off on different tangents with improvised moments before returning to its main theme. This is exactly what The Lost Notes hopes to achieve, and so far the initial feedback from those who have been fortunate to read pre release copies the concept has indeed created something that is both different and entertaining.

Gary Malby from Gama Clothing had the pleasure of reading The Lost Notes, and his reaction was everything Diz hoped. Gary is a clued up guy with a broad knowledge of music, style and culture. His site sells a range of t shirts, accessories and books to people who have interests in British subcultures, music and modernist ideals based around living a full life. He stated it is

‘Like a Blue Note Revisited album, the sights and sounds are familiar and classic, but with a brand new twist baby! A great tonic for the instant throwaway culture and a great read’

Gary Malby @gamaclothing

Another recipient of a pre release copy was Jason Brummell. Jason is an author in his own right, and has been called the leader in modernist fiction thanks to two seminal books and a raft of articles. His books All About My Girl and All or Nothing being cited as two of the best tales depicting the modernist experience in 60s Britain. In fact his work has spurred other people to take up the challenge of creating fiction and his encouragement of other writers is to be highly commended. His reaction to the pre release copy was also glowing.

“A highly entertaining lysergic flight of fantasy across the astral planes. An energetic rollercoaster of voodoo, jazz, Jim Morrison and the power of spirituality. As inventive and as original as a solo by the master himself, Dizzy Gillespie.”

Jason Brummell, Author.

Jason’s reaction sum up the book succinctly. For all the elements he mentions are indeed in the tale. It mixes creativity with a fantasy that evolves, and as it does it enters other realms of existence and deals with spirituality, death and magic. Its a potent mix that conjures up an original tale that is as the author hopes – refreshingly different.

Another, and the final endorsement for this forthcoming Beatnpress publication is from Detail Magazine’s Claire Mahoney. As an editor and writer herself – her reaction to the book was one that ‘Diz’ hoped would be positive and insightful. Diz needn’t have worried. She stated:

“If Jack Kerouac and Carlos Castaneda went on a road trip together, you would probably wind up with something not dissimilar to The Lost Notes. A beguiling transatlantic tale of jazz, spiritualism and Jim Morrison ” Claire Mahoney, Detail magazine

Claire Mahoney, Detail magazine

In all this experimental novella that mixes poetry, prose, screen writing, music and images together achieves what it set out to do. It is a book that is not only entertaining, but explores composition, structure and a mixed media approach to provide something that is just different enough that the experience itself is original and new. It’s a true trip with a jazz element. If it was a piece of music it could be termed Acid Jazz, but as it is a form of literature it’s a modernist beat book for the soul.

The Lost Notes by Diz will be available to pre- order from http://www.beatnpress.co.uk on the 24th of October for £10.99

A book with a difference – The Lost Notes by Diz – As inventive and original as a piece of jazz.

Creating something that is both original and different is no easy task these days. It can sometimes feel like everything has been done before, and to some degree that is true. The Lost Notes by Diz is a book that sees the author approach his topic in a creative form that is- well – not typical. There is an affinity for Jazz in the creation of the novel – but not in the long unpunctuated style and rhythms of the original Beat writer, Jack Kerouac. No. This book has themes running through it, ideas that are interesting tangents, and distractions, yet will return to its main theme. Much like the improvisation you would find in Jazz music. It’s novel approach creates a tale that is modern, yet has enough familiarity in it that it is still entertaining. There is in fact a point where the novel explores the ideas of clichés and whether both the book and the protagonist needs to use them. The layered approach allows the reader to enter the realms that are created. As fellow author Jason Brummell, ( All About My Girl and All Or Nothing) says – it is

“A highly entertaining lysergic flight of fantasy across the astral planes. An energetic rollercoaster of voodoo, jazz, Jim Morrison and the power of spirituality. As inventive and as original as a solo by the master himself, Dizzy Gillespie.”

Using poetry, prose, screenwriting, images and other creative elements it generates an almost fragmented trip into both reality and the fantastical that serves to echo its contents. The tale is also the result of twenty years of discarded ideas and notes that have never been published before. When the notes and discarded manuscripts were found they were edited and spliced together in yet another inspirational cut up style creating a completely new and original narrative.

As yet it is uncertain whether there will be a second tale. Diz is both a construct and a psuedonym – Should there be another though. It will certainly be another great addition to the Beatnpress library.

The Lost Notes will be available for pre orders from October 24th 2021 via http://www.beatnpress.co.uk

UB40 (A Legal Drug) by Tanya Kennedy is a hit!

This book is proving to be a hit. Its first print run of 100 copies Sold out in three days, its second print run has already sold 50% of the stock that was ordered from the printers. In the meantime it has been through the global reach program and has appeared on Amazon, Barnes and Noble and various other online retailers.

Amazon, (as if we didn’t know) is considered one of the largest retailers in the world. So, imagine myself and Andy Kenned-y Tanya’s husband’s joy at seeing UB40 (A Legal Drug) at number 4 in the Reggae Music Book list! To be in the top 10 o this sort of ranking is something to be very pleased with.

Tanya sadly passed away from Cancer last year – but her autobiographical account of being a super fan of UB40, is a wonderful account and a real coming of age tale. It’s honesty is wonderful, and her account of following her favourite band both home and abroad is a fine example of dedication. Her relationships are shaped by her choices, she even got married in Jamaica because of her passion for Reggae and the band. Her relationship with band members is one of initial awe, fascination and then real friendship. So much so Robin Campbell and Martin Meredith contribute to the book – making it a really special account.

#4 in the Reggae Music Books chart on Amazon.co.uk

This book is also quite special because it is raising money for St Margaret’s hospice in Taunton. So far it has raised in excess of £1250.00 and is proving to be a wonderful tribute, and legacy.

The book is published by Beatnpress and is available from http://www.beatnpress.co.uk and many other online retailers

Please buy a copy and help Tanya’s memory live on.

Next week more info on the forthcoming book The Lost Notes by Diz. Which is due to be released towards the end of this summer by Beatnpress.

New Books, and a New Start

Hi JD here. Beatnpress is evolving and the road ahead looks varied, inspirational and exciting!

Tomorrow May 31st you will be able to Pre order UB40 (A Legal Drug) by Tanya Kennedy from http://www.beatnpress.co.uk

This book is a departure from previous publications by Beatnpress – but still has all those ingredients that tick the boxes that make up the Beatnpress vision.

UB40 (A Legal Drug) by Tanya Kennedy available from http://www.beatnpress.co.uk

It is full of hope, aspirations, and life. Music is at its core and a personal journey evolves on the page that is as relatable, as it is fascinating. What’s more the book has been produced to raise money for a worthwhile cause. That being raising money for St Margaret’s hospice in Taunton.

The book will be retailing for £21 and has never seen before photos, and a foreword written by Robin Campbell.

Another recent publication is my book Pop Versus Subterranean – which I am pleased to say is, receiving some favourable comments. A collection of Modernist Beat Poetry that explores many topics and the relationship between Popular culture and the underground. From Art – to music, to politics and the Pandemic it is a series of thirty poems that either provoke or inspire.

Pop Versus Subterranean by Jason Disley

The first book to be published by Beatnpress that isn’t written by my good self is – in my humble opinion is something to celebrate. It also means that there could be opportunities for other aspiring writers. This new start could mean that a New Beat Generation can be realised. So, if you are an author, a poet, or someone that wants to see their Memoirs in print. Please email info@beatnpress.co.uk

Thanks

JD.

Pop Versus Subterranean

The book cover design.

There is a new collection of what I term “Modernist Beat Poetry” coming out on March 26th. It is available via Beatnpress.

It is a collection that delves into various topics and thoughts during the last twelve months. The world is very much changed, as society has had to come to grips with the Covid 19 Pandemic. So, in this book some of the events and my personal perceptions are revealed. Such as, the Pandemic, Black Lives Matter, the Government, reflections on love, youth, the Jazz Age, suburban life , the influence of Pop Art, the Cosmos – understanding how we need to recreate our own space – virtual, fantasy or reality.

It is not unlike other books I have written, as there are elements of musicality in my poetry. I am fascinated by society, culture and art, and write honestly, sharing things as I perceive them. During lockdown, we all have moments of fear, horror, hope and yearning. Thereabout comes senses of rebellion and at times even confrontation. But, there are also moments of optimism and hope. Life is complicated, and as a writer I search for understanding. There are also moments where I drift into surrealism.

However the main focus in the book is the relationship between Popular culture, and underground culture. What is underground today, could be the popular culture of tomorrow. There are nods to Pop Art, and some quite Avant-garde ideas, as well as the fickleness of Pop. More niche ways of thinking are looked at by society with suspicion yet are equally valid. Underground movents or subcultures can express amazing wisdom and foresight. Some will disappear, but others will grow in popularity.

Jason Disley poet.

This book is like a collection of verbal photographs, it is a series of moments and thoughts made during 2020 – 2021, that I have recorded and chosen to share.

Pop Versus Subterranean the new book by Jason Disley

I hope though, that the work serves to inspire, and in a small way educate. Like my literary heroes, I believe in the art of expression. I self styled myself as a modern day Beat Poet because I have similar tastes to those that went before me. I live to live, and wholeheartedly take on board experience – no matter whether it is good or bad. I live in the moment, and take each day as it is. During the Pandemic, as with many of you out there, there have been difficult days, and days that seem easier. Creativity has helped me. As I am sure many of you out there have also been productive. This is the fruit of my labour. I hope you like it and whether it stays underground or becomes popular is not up to me. I just want it to be read, and hopefully appreciated.

The collection has a wonderful foreword written by poet and artist Becky Nuttall, who is also a curator of exhibitions and helps run Stanza Extravaganza, a (before Covid) regular spoken word event in Torbay. She has her own collection called Nick’s Gift – which I highly recommend. It is available from Amazon.

Pop Versus Subterranean will officially be available from Lulu.com as of 26th of March. It is also available via myself and in a few weeks time from various other online retailers.

The book retails at £10.99 +pp

Please send me a message if you would like a copy.

Here is the title poem. Pop Versus Subterranean:

The title poem: Pop Versus Subterranean by Jason Disley

Thanks for reading.

Jason Disley.

Writing 20th Century Pulp Fiction in the 21st Century

I have come to realise that as a writer, there is a style I gravitate towards. I don’t pretend to be highbrow or sophisticated like somebody who went to a particular university, or had a privileged education. I do not have airs and graces. I write about what I find interesting, and entertaining. I weave tales that are not over complicated, but have enough spice (I hope) to turn a page. So, what is it that drives my interests? What is it that makes me return to a genre that is full of those things that so called “polite” society call taboo?

It’s that boyish sense of adventure. I am quite clearly a little immature. I want to be titilated, and experience danger, lust and crime. I want to be the sheriff or the man in the black hat as you would see in a classic Western. I want to be a Gangster, or a super sleuth. I want to sleep with the Femme Fatale, although it could be the death of me – and so it goes on.

Pulp Fiction, is where its at. You escape into the underbelly of life and experience a grittiness that is equally alluring as it is distasteful. The tales can appeal to our most basic instincts. But they also serve as a quick escape from the real world. Where the mundane existence of life seems to crowd in. I think that a great pulp tale from the 20th century provides a portal to life that has a glamour that isn’t as obvious in life today. Interaction between characters is vital, and at a time when distancing yourself from others can be seen as important, so these interactions jump off a page.

So, for me writing within this genre seems a natural fit. I don’t just stick to the formula though. I experiment and provide stories that have enough familiarity that you want to read, but are also different in structure. My Pulp Fiction Poetry for example has a lyricism that helps convey mood, rhythm and a musicality.

Whereas my prose embraces many different genres so as to try and create something original. That is the crux though. How do you provide something that hasn’t been done before? Well you don’t. You go with your instincts. You write about things you are interested in, and hope others are as well. You pick the elements you like, you absorb ideas from around you – on the Internet, in books, on film or even on the radio. Then you regurgitate it in a new way. Taking things forward in the manner that storytellers do.

It’s hard work being a 20th century Pulp Fiction writer in the 21st century. But it continues as an accessible entertainment, and tradition that is there to be enjoyed.

I have written two novels and two Pulp Fiction Poetry collections. This year I hope to complete a third novel and a third Pulp Fiction Poetry collection. I am pretty sure these won’t be my last. It seems I am on a road of my own choosing, where story telling is my thing. So if you want to dig my work check it out at the various online platforms it is available from:

Amazon,

Apple.

Barnes & Noble

Kobo

and

Lulu.com

Watch this space for my forthcoming projects – including news about my first non fiction book.

Kindest regards readers. Stay safe

Jason Disley.

“Take It Or Leave It” Or more “Left than Taken” ?

“Take It Or Leave It” Or More “Left Than Taken”?

The New ebook by Jason Disley

When the Covid 19 Pandemic hit the UK with a lockdown in March 2020. I took the opportunity to self publish the sequel to my debut Novella Seven Day Fool. The novel titled Take It Or Leave It. The novel is a tale set a few months after the end of the first book, and sees the main character develop, and become the reluctant hero I wanted him to be.

Seven Day Fool by Jason Disley

I felt that due to lockdown, it was prudent to publish this second novel as an ebook. However, after publication it has not really sold. Naturally I questioned “why?” Initially it was formatting errors and Covid that delayed distribution. In fact despite re-formatting I am still trying to be patient as I wait for this novel to go through the whole global reach process, again, and be more widely available. So, yes. Take It Or Leave It is being more Left than Taken at this moment in time. But, I hope it will not remain so. I am after all quite proud of my imaginative story that puts one man into a situation that is quite profound and different from his life so far. It sees him discover what he is capable of, and his determination to get through to a conclusion that is for him, is satisfactory and just.

The tale pays homage to sixties spy novels, crime capers and the sort of Pulp Fiction I enjoy. With it being set in the sixties I am able to include elements of style and culture that are of that time. For me, the novel is quite cinematic, and it’s international flavour, and Cold War paranoia makes for the sort of thriller that although feels familiar, is just different enough that it achieves to bring to life that era without it feeling corny or a pastiche. The story is not Austin Powers meets James Bond and The Avengers. Its more The Ipcress File meets The Quiller Memorandum with a dash of The Saint in my mind. So, why am I sharing this?

Quite simply I want people to read my novel. Perhaps it’s my own insecurity as we live in these insecure times that has made me write this. I believe in the work I have spent many hours creating. But, without an agent or a traditional publisher – self promotion is the only option at this time.

As with all writers, one thing that inspires us is feedback, whether it be constructive criticism or praise. I want people to enjoy my novel. I want people to say yes – that was a great little tale. But equally, I want to hear where I can improve and develop.

So, please check it out. Maybe read it, and let me know if you were right to take it, or perhaps you feel you should have left it.

Buy Take It Or Leave It by Jason Disley here:

Buy Seven Day Fool here:

Hopefully next time I write here, I will have received some feedback with regards to Take It Or Leave It, and will have news about some of the other exciting projects I am working on.

For now, take care.

Jason.

Stateside Dreaming…

Those of you who have read my previous posts, know that I am inspired by the Beat Generation. I have mentioned the likes of Jack Kerouac, Allen Ginsberg et al in more than one article over the years. I don’t know why I always come back to the Beats. But, I often do. I suppose it’s that identification, with lonesome travellers, mavericks and people who want to dig everything. Get their kicks and be totally themselves.

My first introduction to The Beats, like many was the novel On The Road,

Pan cover for On The Road by Jack Kerouac

It opened my eyes to many things. I was a teenager, I was discovering my own taste in things. Because of this book I really began to appreciate Jazz, I also understood the need for kicks. I had yearnings, and wanted to live a life that was exciting, where I could appreciate everything that I experienced. Now, the point of this blog post today, is that since last Monday, whilst staying at home thanks to the Covid 19 Pandemic, I have been sorting many things out at home. Getting rid of junk, and whatnot. I found in in a shoebox a stack of papers. Some of which were half finished stories, others were original poems – all written twenty or more years ago.

One was the start of a short story or novella. I haven’t yet decided what it will be just yet. But, upon reading what I had, I found that I had a desire to rewrite it. The project I have subsequently called: Stateside Dreaming

It is the tale of a young man living in the North of England, who wants to experience America. He has a mundane, low paid job, he is an avid reader and more importantly a dreamer. He is also obsessed with the novel On The Road. (Sounds familiar?) Anyway, the tale opens with him quitting his job, and spontaneously heading off on his journey of discovery. The story then descends into a number of dreamlike episodes, some are disjointed like dreams can be, some are nightmarish, others are clear and focused reinforcing his ideas and decisions.

Whether the project will have legs. I don’t know. But, for the moment I am inspired to work on it, whilst also working on other things.

Stateside Dreaming, Jason Disley’s new writing project.

The main thing when you are staying at home, is finding other ways to travel, and, this is mine. Stay safe, and look out for a new article next Monday.

JD.

A Pint Of Bitter, and Pulp Fictions

It’s been a week, since I last posted anything. Last Monday I mentioned various book releases I have made available as ebooks. Such as my novella Seven Day Fool, which is now available via iBooks

https://books.apple.com/us/book/seven-day-fool/id1505606104

and my first Pulp Fiction Poetry collection – Beat To A Pulp which is also now available via iBooks

Beat To A Pulp by Jason Disley

https://books.apple.com/us/book/beat-to-a-pulp/id1505713274

As well as releasing these books, in the last week I have written an article for Zani, which is an online magazine with articles covering a wide range of topics. The article I wrote was titled A Pint Of Bitter, Bound To Be A Good Thing… And was About British Jazz icon Tubby Hayes, and a new limited edition book that has been published by Mono Media Books. In the article I interview the main man behind the project-Mark Baxter, who is an author and film producer, amongst other things.

Tubby Hayes

You can read that article here, and if you are interested in this book about the British Jazz legend. You can follow the link for more information at the end of the article.

https://www.zani.co.uk/zani-music/item/3068-tubby-hayes-a-pint-of-bitter-bound-to-be-a-good-thing

So, as you can see – I have been fairly busy. However, the main thing I wish to bring to your attention is my new paperback that has been released – it is titled – Angel In Alabaster,

Angel In Alabaster the new book by Jason Disley is out now.

and is the sequel to Beat To A Pulp. It is a book I am very pleased with and continues with the theme of writing a prose tale in verse form. My interest in Pulp Fiction and Film Noir is very apparent in this book, and it contains moments that feel familiar, and comfortable within the environment of the tale. In fact. An up and coming writer – who is very hip to the world’s I allude to in the book has written a foreword to the book, which I feel gives the reader an insight into what Pulp Fiction Poetry, Or Film Noir Verse is. Here is that foreword:

FOREWORD

It’s a pulp world. A space where people make shapes, alloyed by desire. It’s where Exterior means: “I need to get from Point A to B, with a direct response,” as Interior leaves us groping for dark epithets with one hand, while knocking back a boiler maker with the other.
Jason Disley knows this world like the back of his hand. Read The Angel in Alabaster and you’ll be on several fifth drinking terms with it. It’s a warm enough room; a bourbon haze, a nascent lounge lizard on the Wurlitzer and a Turkish delight scarlet hue in the furnishing. Pick through the Fry’s, expect to stumble upon some ebon promise.
Loretta, Johnny, The Artisan: all creations unique to Jason’s palette – the wasp’s sting here is in their familiarity. The initial impact of The Angel in Alabaster comes from this sense of ironic comfort. For a long time fan of the novels of Raymond Chandler, the songs of Johnny Mercer and the silhouette of Gene Tierney, reading words that invoke 1940s LA hums the same heat as Vernon Duke’s mellow Manhattan Fall: “Glittering crowds (…) In canyons of steel / They’re making me feel I’m home.” But, as a later poet of sky rises observed, It’s also where the hatred is.
The Angel in Alabaster has a raison d’etre supplanted from a previous work, Beat to a Pulp: a juxtaposition of the argot of gumshoes and cheese cakes with the ennui of the verse styling found in T. S. Eliot’s 1920s modernism. In laymen’s terms, this is a way of depicting a story filled with the pulse of hard boiled sensuality, through a poetic metre impressing ‘hip’ speech rhythms, for those of a Spillane bent, at the same time as employing strong rhymes to locate a subtle sense of the universality of Noir in these Google fried times. “The stuff that dreams are made of” now so manifest that “doing a number” is as much part of the current bloodstream as a commonplace app; on its 20th Luckie for the day of course.
And this is where Jason mounts his own unique killer-diller.
Jason’s poetry in The Angel in Alabaster delves into Noir as an intrinsic part of so many of today’s cultural default mode. Sin City – look at the implied neons and Edward Hopper pallor. Peaky Blinders – the hissy darkness and ‘hat as icon’ imagery. Boardwalk Empire – well, It’s like a resort for…. Gangsters. However, Mr. Disley is anything but the lid on a semiotic dust bin. E. M. Forster told us to “only connect;” he could be describing the best way to tuck into The Angel in Alabaster’s rhyme of the non’lent gumshoe jazz riff. Dig the influences, connect the dots. How modernist.
Dot connection is indeed the thing wherein we catch the shtick of the Dis. Slang is normally habitual; It’s great paradox residing in it being always there, despite fashion making it permanently transient. Within the bounds of The Angel in Alabaster, it functions as a refining signifier, beckoning towards a signified inscribed with ‘pleasure.’ Jason’s utilisation of Eliot’s bleak poetics illustrates this best of all. Cf, The Waste Land:
She smooths her hair with automatic hand,
And puts a record on the gramophone.
‘This music crept by me upon the waters’ (…)
O City City (….)
Now ‘Angel’:
Johnny needed to shake the lead out of his shorts (….)
He would find the gator with a gat
Or the cat with a shiv
Who had decided the Lady in The Jade Dress must crowd (….)
He needed Seven to become Eleven in this crap shoot.

In The Waste Land, speech rhythm connotes towards ennui – a boredom that beckons towards an out of reach memory from a Tempest. In ‘Alabaster’, the metre is also of speech, but this time the modernist urge to make it new comes not as a lofty literary, but in a bouquet of side mouth rye. The fragments that Jason stores against The Artisan’s ruins read more like William Gottlieb’s photograph of 52nd Street: from swing to bop is the measure of Seven becoming Eleven. The Angel of Alabaster may allude to Eliot’s “a handful of dust,” in form; when read and digested, the grab is still there but definitely in a lamp gaze view – from the lipstick cap to Lana Turner’s eyes, plus John Garfield’s peak in between.
Whether you dream of Rita Hayworth or crack like Jimmy Cagney, rein in your 38. for Jason Disley’s latest invitation to the pulps. *

Nathan James Le-bas

*: All quotes from The Waste Land, The Complete Poems & Plays of T. S. Eliot (London, 1969).

Angel In Alabaster has a wonderful bookcover designed by Mark Head Aka Mr. H. Mark, designed the cover for Beat To A Pulp, and it seemed natural to ask him to design the cover for this collection.

The book is available now from

Support independent publishing: Buy this book on Lulu.

And soon it will be available from other online retailers such as Amazon.

Going forward, I am working on a third Film Noir Verse book, and the sequel to Seven Day Fool, titled Take It Or Leave It, this book will initially be made available as an ebook. I hope that when the time is right it will be published in paperback.

Lastly I wish to share a video of a poem I have written, that is a message for all of us at this time. As we all make our way through this Pandemic – follow the rules and keep safe. I will no doubt be sharing something else with you next Monday. JD.

Keep Your Distance

My Debut Album: Speakeasy

Speakeasy by Jason Disley – Available now!

It is now available! The spoken word album that began as a concept back in 2016.

When I was approached after sharing a poem on a popular social network, and asked if I would like to record something. I jumped at the opportunity. It was something that had never really crossed my mind. But, as soon as it was proposed, I thought – yes! So then Rick Blackman – the musician and producer who had proposed the idea – and I got to work on teaming up original compositions with my poetry. So it began – a fulfilling and exciting period of creativity. It was a project that was done over long distance. Rick lived up in the north west of the UK and I lived in the South West. But with the use of today’s technology we were soon able to work well together, swapping ideas and doing our best to create an interesting body of work. Both Rick and I love music and have an affinity with various styles of music. Both of us are interested in the history of British subcultures, especially the mid twentieth century. This is reflected in some of the music on the album. There are many nods to those periods. There is also a very European feel to it, and with one track – Breathless there is a real sense of French cinema in the music. In fact Breathless is read in French by Gabriela Giacoman – the lead singer of the French band French Boutik. Serge Hoffman, also of French Boutik also adds his voice at the start of the album, supplying and setting the scene with an introduction that allows the listener to imagine the album has been recorded live in a club in Paris.

To add to this, fellow writer Jason Brummell has kindly written a fictional scene as a foreword to the twelve page booklet that is included with the CD.

When Adam Cooper, the head honcho at Heavy Soul Records heard the demos and agreed to releasing the album. You can imagine how thrilled I was. This was an incredible moment. I was at the beach with my family when I received the call. You can imagine how I was when I heard the news. I was jumping up and down in my swim shorts on the beach. Onlookers probably thought I was trying to invent a new dance! I was that elated. Even with the yes, due to the schedule and the album taking its place in the run of things, it took another year for this release date to arrive. In the meantime I have worked hard at improving my craft. Becoming more comfortable with performance, (I even host a regular spoken word evening called Speaky Blinders) and have written quite prolifically. Returning to these poems will be a joy as I endeavour to share what is on the album in the coming months.

Here is just one of the tunes off the album for you

The Weekend – from Speakeasy by Jason Disley with music by Rick Blackman

Buy Speakeasy here! Heavy Soul Records

More news about Speakeasy soon.

JD.