Another great book to add to your library – It’s just the ticket.

Beatnpress are thrilled to have Christian Scully -an exciting young poet – include his fantastic poetry chap book Dayrider, as one of our exciting new publications this summer.

To get an idea of why Beatnpress are excited to publish a new edition of Dayrider by Christian Scully:

You’re like the M Night Shyamalan of poetry, relatable then come in with the kicker’

– Matt Tancock BBC Radio Devon

Bean13poetry aka Christian Scully is the self proclaimed bus stop bard, mainly penning his poems on public transport as he commutes to and from work across the English Riviera.

Bean first started writing in 2019 and was the first performer for BBC Radio Devons Upload show after submitting some poems on a whim.

Spurred on, Beans mixes his passion for writing and music to create lyrical poems about everyday life in the small sleepy fishing town of Brixham as well as life growing up in his hometown of Birmingham.

During the pandemic, Bean was published in various international anthologies and performed at several online slam events.

Released into the world post-covid and no stranger to the stage, Bean now tries to fuse music and poetry during his performances as well as performing with Cornish indie-electro band Ruinarte.

Bean is currently working on a spoken word EP with the good folks at Morvil Studios Bodmin, which he hopes to release in late 2022 and his debut collection Dayrider is available via his instagram @bean13poetry

‘…observational, reflective poetry that elevates the everyday through the context of coastal life in England… finding the magic in the mundane’ -The Calliope Script Publishing commenting on Dayrider Chapbook Collection

——–

The book will be available from early June.

The forthcoming book by Christian Scully.

Along with Dayrider, Beatnpress will be publishing Woodview by Robert Garnham, and The Forgotten Whisper On The Wind by Jason Disley.

These three books are great examples of the diverse nature of Beatnpress and will no doubt be enjoyed greatly by everyone who reads them.

Every chapter is a new adventure. Check out the other books we have available at http://www.beatnpress.co.uk.

Exciting Times Ahead!

Beatnpress is expanding with submissions from other writers! The current Bard of Exeter, aka The Professor Of Whimsey – Robert Garnham has a fantastic new book of “serious poems” on its way. Woodview is a departure from his usual works, and is the perfect fit for Beatnpress. Robert is highly respected on the Fringe circuit and has travelled wide and far to share his writing. More news about this book coming soon.

Robert Garnham

There is also works in the pipeline by other writers, the respected novelist Pete Mckenna, and poet Carl Burkitt. On top of that a series of short stories has been considered.

The Forgotten Whisper On The Wind by Jason Disley

Also soon to be released is the third Pulp Fiction Poetry tale by myself, The Forgotten Whisper On The Wind. With a foreword by novelist/podcaster and the man behind http://www.zani.co.uk Matteo Sedazzari.

The Lost Notes by Diz

The Lost Notes Notes by Diz is receiving great feedback and will no doubt continue to garner enthusiastic readers. The fact that Beatnpress has enabled such projects to see the light of day is something that I am proud of.

Each new chapter is an adventure!

More news soon.

Goodbye 2021 -hello to an exciting year!

This next twelve months hopes to see things build, in both my writing career, and the success of beatnpress. There are projects on their way, and many new opportunities to come I am sure!

It’s been a very mixed year for me 2021. I have had some extremes throughout. There are almost too many things to mention – and that is no way me to trying to brag. From an individual point of view I have achieved some things and made a reality things that were once upon a time dreams and aspirations.I have made my publishing venture more than just a vehicle for my own work – it now serves as a platform for others. Beatnpress saw the publication of the incredible memoir written by the late Tanya Kennedy – UB40 a legal drug – who with her husband Andy Kennedy – we created a book that has proved to be quite popular and at one point was number 2 in the Reggae Music Book chart on Amazon – all proceeds of which have gone to St Margaret’s hospice in Taunton.Earlier in the year I published my poetry collection Pop Versus Subterranean – a collection of Pop Art poems I am extremely proud of. As yet due to the Pandemic I have only read and performed from it once to a live audience and that was on stage at The Palace Theatre in Paignton.2021 also saw the www.beatnpress.co.uk website go live – providing an outlet to sell these books and other books I have written over the years. I have also had a busy time writing articles including articles for Detail magazine, Adam Cooper at Heavy Soul, and Subbaculture – as well as working on my most recent book The Lost Notes By Diz (An unconventional novel about spiritualism, jazz and erm – Jim Morrison!) , and other forthcoming publications. There is my first non fiction book The Desired Article – a Concise Look at Style. This is a series of articles written about articles of mens clothing and some particular fabrics. Articles that reflect why they have remained popular throughout the last century and form the basis for what in the 21st century we see as the building blocks of true style. The book will be published by Zani soon and more news about it will be announced in the New Year. The brainchild behind Zani is Matteo Sedazzari – who has worked with some fantastic people and is a respected author in his own right. Recent publications by Zani are Tales from the Foxes of Foxham written by Matteo Sedazzari and the play Performers written by Irvine Welsh and Dean Cavanagh.I have also been co-writing Sartorial 64 with Nick Keen with the design and artwork by the fantastic Alf Button – if you are not familiar with Alf’s work check out Alf Button’s Revenge. This project has taken up many interesting hours of research, and is one I can not wait to see when it’s complete. All I can say is – we are all in for a treat. 2022 will see me continue to write, including my third Jake Brody Novel Reach Out Of The Darkness – which is taking longer than I had hoped since I have been so busy on other projects. There is also my third Pulp Fiction Poetry tale The Forgotten Whisper On The Wind to complete, and is I am pleased to say, nearing its climax.Other things that happened in 2021 that I did not expect but did were: taking my father to see Tom Jones perform live in Plymouth, be on Morcheeba Band‘s guest list at the Gone Wild Festival at Powderham Castle, meet Steve Brookes at the Stone Foundation gig at Exeter Phoenix and briefly chat with Neil Sheasby and Neil Jones. All of these things were highlights to at times a difficult year. Continued separation from loved ones has been hard. The Pandemic has made life far far from normal – and I feel blessed to have achieved some things in the last twelve months. However, financially I have struggled, and health wise things have been up and down both physically and mentally. As I write this, I am writing it whilst having Covid. At the moment I seem to be OK, and I sincerely hope I make a quick and full recovery. My wife is also poorly, and I so hope she gets well soon. Understandably this isn’t the end to 2021 that we hoped for. I hope 2022 will be one of vast improvement, and that I am able to continue to follow my dreams. I also hope there are many good times to be had by all in the future. I like to live in the now and will take each day as it comes. My reflection on the past year – is that determination can see you through if you believe enough. Follow that dream – work hard and eventually things will fall into place. I dreamed of being a writer, and 2021 has been the first year that I can say writing is more than a hobby – it is what I am supposed to do. So, move forward always, and learn from your mistakes. Peace and Love to you all and Happy New Year. I think 2022 may hold a few surprises… JD aka Diz x

The Lost Notes reveal more than you think.

Some of The Lost Notes

When the new book by Diz was conceived it was after the discovery of many pieces of writing had been found in a box at the back of a cupboard. Writing that had been written a long time ago. Some of it was even over twenty years old! Half written projects, ideas that had been quickly noted down – but were not fully formed. None of it was a cohesive narrative. Taking the concept of William Burroughs cut ups – it was decided to take these many separate themes and ideas and create something new. Creating a character that linked the different mediums together, and with that character being a jazz musician – so the concept of composing came to mind. Like any piece of Jazz there are those moments that hook you in, and take you on a journey – and then the tune can take you off on different tangents with improvised moments before returning to its main theme. This is exactly what The Lost Notes hopes to achieve, and so far the initial feedback from those who have been fortunate to read pre release copies the concept has indeed created something that is both different and entertaining.

Gary Malby from Gama Clothing had the pleasure of reading The Lost Notes, and his reaction was everything Diz hoped. Gary is a clued up guy with a broad knowledge of music, style and culture. His site sells a range of t shirts, accessories and books to people who have interests in British subcultures, music and modernist ideals based around living a full life. He stated it is

‘Like a Blue Note Revisited album, the sights and sounds are familiar and classic, but with a brand new twist baby! A great tonic for the instant throwaway culture and a great read’

Gary Malby @gamaclothing

Another recipient of a pre release copy was Jason Brummell. Jason is an author in his own right, and has been called the leader in modernist fiction thanks to two seminal books and a raft of articles. His books All About My Girl and All or Nothing being cited as two of the best tales depicting the modernist experience in 60s Britain. In fact his work has spurred other people to take up the challenge of creating fiction and his encouragement of other writers is to be highly commended. His reaction to the pre release copy was also glowing.

“A highly entertaining lysergic flight of fantasy across the astral planes. An energetic rollercoaster of voodoo, jazz, Jim Morrison and the power of spirituality. As inventive and as original as a solo by the master himself, Dizzy Gillespie.”

Jason Brummell, Author.

Jason’s reaction sum up the book succinctly. For all the elements he mentions are indeed in the tale. It mixes creativity with a fantasy that evolves, and as it does it enters other realms of existence and deals with spirituality, death and magic. Its a potent mix that conjures up an original tale that is as the author hopes – refreshingly different.

Another, and the final endorsement for this forthcoming Beatnpress publication is from Detail Magazine’s Claire Mahoney. As an editor and writer herself – her reaction to the book was one that ‘Diz’ hoped would be positive and insightful. Diz needn’t have worried. She stated:

“If Jack Kerouac and Carlos Castaneda went on a road trip together, you would probably wind up with something not dissimilar to The Lost Notes. A beguiling transatlantic tale of jazz, spiritualism and Jim Morrison ” Claire Mahoney, Detail magazine

Claire Mahoney, Detail magazine

In all this experimental novella that mixes poetry, prose, screen writing, music and images together achieves what it set out to do. It is a book that is not only entertaining, but explores composition, structure and a mixed media approach to provide something that is just different enough that the experience itself is original and new. It’s a true trip with a jazz element. If it was a piece of music it could be termed Acid Jazz, but as it is a form of literature it’s a modernist beat book for the soul.

The Lost Notes by Diz will be available to pre- order from http://www.beatnpress.co.uk on the 24th of October for £10.99

The Old Tin Sandwich

I have been so busy of late, working on several projects at once. You see with the Covid era we have been through, and the hours of not working at the “day job” because of furlough – it was necessary to keep active. To be creative, and occupied. So, as a writer and poet, it was a time of productivity. From writing articles for zines, to self publishing another book of poetry, to collaborating with other writers, and even recording a track for a spoken word album. On top of that I am working on a third novel, editing two books of my own, and helping a mate out with publishing a memoir written by his late wife for charity.

So, you can see. I haven’t been lazy, just watching Netflix and Amazon Prime the whole time.

The track for the spoken word album is called

A Dance With The Devil Called Chance, which appears on the new Croydon Tourist Office compilation Friends Of Croydon Tourist Office

Friends Of Croydon Tourist Office

This track is a whopping eight minutes and eight seconds long, and is an extract from another forthcoming book titled The Forgotten Whisper On The Wind, my third collection of Pulp Fiction Poetry. But, anyway I digress. With my latest collection of poetry Pop Versus Subterranean having recently been published, I realised that under my own imprint I had published ten books since 2016.

I had had the idea of my own small publishing press since the mid 90s, when I had embarked on trying to be a writer.

As those of you who have read my blog over the last few years, you will have seen that I am inspired by the Beat Generation, and being brought up in the 70s , I had developed that Punk attitude of doing it for yourself.

From my conscious decision came the idea of Beatnpress. So, naturally when I began to self publish I developed my “brand”. I had aspirations to not only write, but to help other writers. However, I had lacked the confidence to really go for it. That is, until now. When life was paused, it made me evaluate. I considered what I wanted to do. I saw what I had managed in recent years, but didn’t want to go backwards. I was more determined than ever to try and make things work. Opportunities come your way, and sometimes you need something to kick your behind – so that you can really make those dreams and aspirations come true.

By creating http://www.beatnpress.co.uk I have provided myself, not only a platform for myself, but hopefully in the future, a platform for others.

Something that, at the moment gives me a sense of pride.

Anyway. I am sure readers, you are wondering what all this has to do with an old “Tin Sandwich”? Well. Nothing really – apart from recently I wrote a poem that I thought I would share at the end of this post. 😊

The Old Tin Sandwich
Clamped between the lips
The tongue bending as the note is found.
The vibration waves through the
Comb
Then the Blues wails
With its responsive sound.
A rhythmic backbeat
Is found by stomping feet, claps or drums.

Yes the harmonica hums.
The he haw
See saw
And a bit of wah wah
Hollow cheeks filled and then empty
Giving the sound plenty-
Streaming across the teeth
Cupped hands
Wave
Fanning the passion
And
The emotion
As nearby
A Guitar simply weeps.
The hum is electric
As a crowd watches on.
The eyes are closed
Where did that note come from?
Is it a spiritual
A sound from the past?
Is it an echo of anguish
Or a triumphant sound?
Is it from down low
From beneath the ground?
Is it from the core.
Hunched over in midnight blue
A musician puts a spell on you.
The knee jerk of the call and response.
The onlooker may give a whoop of appreciation
Or just a silent nod
But either is alright
When it’s music that can be loved,
And the rhythms wash over you.
The Old Tin sandwich
Is never stale
When you learn to breathe life into the Cosmos.
©Jason Disley (April 2021)

The Old Tin Sandwich

Beatnpress Publishing!

At last I am taking things up a notch! Finally with a webstore at http://www.beatnpress.co.uk my books are available (subject to availability) from me direct.

It has been my intention to expand my publishing endeavours, albeit in a small way. With my books of poetry available, and selected publications by other writers on the Beatnpress imprint – I hope to see things expand, Books that interest likeminded people, usually associated with music in some way.

New stock will be added in the coming weeks, and announcements will be made on this blog which is linked to the site.

UB40 (A Legal Drug) by Tanya Kennedy

The first book to be published by Beatnpress that isn’t written by Jason Disley will be a memoir written by a Superfan of one of the most popular Reggae bands in the world. UB40 (A Legal Drug) by Tanya Kennedy was originally self published in 1995, and after losing a battle to cancer, her husband, Andy, asked that I help him reissue it as a tribute to her, and, as a way to raise money for St Margaret’s hospice in Taunton.

Naturally I felt honoured to be asked to help, and I have to say, the book is such a great read! With a foreword by Robin Campbell one of the founding members of UB40, and an Afterword by UB40 band member Martin Meridith. This book gives a personal insight into teenage obsession, and the way in which Music can shape a person’s life. The highs, the lows and sense of adventure permeates the book.

More details and the official launch date for Tanya’s book will be announced soon.

No more “Beating” about the Bush – I am here to promote my work!

So I have published my latest collection of poetry.

Pop Versus Subterranean by Jason Disley out now!

It is a great feeling producing a book and seeing it in the flesh. Published through my own imprint Beatnpress. This book is a really honest collection. I am proud of it, because it has been created during what has been a tumultuous year for so many people.

As poet and artist Becky Nuttall writes:

Jason covers all the current major themes in ‘Pop Versus Subterranean’ – everything we have lived through and our thoughts in the last months ; the Pandemic, Black Lives Matter, the Government, reflections on love, youth, the Jazz Age, suburban life , the influence of Pop Art, the Cosmos – understanding how we need to recreate our own space – virtual, fantasy or reality.

From the Foreword of Pop Versus Subterranean by Jason Disley (2021)

The intention is a collection that is relevant and up to date, but also explores the nature of what is popular, and what is considered Subterranean or Underground. Its about being innovative and striving for success, but not necessarily selling out.

As with most of my work there is a musicality and use of rhythms often likened to Jazz. I am a self styled Beat Poet, and I wear my influences on my sleeve.

Of all my poetry collections, this one is perhaps one that reflects the way I think the most. I have also been very creative with the design of the cover. Using Pop Art style motifs similar to Peter Blake and colours I have tried to link the interior with the cover in an artistic way. The arrows and the red circle are a nod to the influence Paul Weller has had on my work.

The image of Paul Weller wearing on the cover of This Is The Modern World shows Paul wearing a jumper with two arrows and a badge on the front.

I chose a reinterpreted simplified version for the main image. When creating this cover. It’s not an exact copy. The arrows differ in size on the book cover because the meanings inferred by the image in relation to the books title are different than the Pop Art/Punk ethos Paul Weller is implying. It is also reversed as I did not want to be seen as copying an idea, but taking it as an artistic influence.

If you are interested in Pop Versus Subterranean you can either use the contact form on the menu of this page and make a request for signed copies or go to lulu.com where the book is printed and dispatched on demand.

Pop Versus Subterranean

The book cover design.

There is a new collection of what I term “Modernist Beat Poetry” coming out on March 26th. It is available via Beatnpress.

It is a collection that delves into various topics and thoughts during the last twelve months. The world is very much changed, as society has had to come to grips with the Covid 19 Pandemic. So, in this book some of the events and my personal perceptions are revealed. Such as, the Pandemic, Black Lives Matter, the Government, reflections on love, youth, the Jazz Age, suburban life , the influence of Pop Art, the Cosmos – understanding how we need to recreate our own space – virtual, fantasy or reality.

It is not unlike other books I have written, as there are elements of musicality in my poetry. I am fascinated by society, culture and art, and write honestly, sharing things as I perceive them. During lockdown, we all have moments of fear, horror, hope and yearning. Thereabout comes senses of rebellion and at times even confrontation. But, there are also moments of optimism and hope. Life is complicated, and as a writer I search for understanding. There are also moments where I drift into surrealism.

However the main focus in the book is the relationship between Popular culture, and underground culture. What is underground today, could be the popular culture of tomorrow. There are nods to Pop Art, and some quite Avant-garde ideas, as well as the fickleness of Pop. More niche ways of thinking are looked at by society with suspicion yet are equally valid. Underground movents or subcultures can express amazing wisdom and foresight. Some will disappear, but others will grow in popularity.

Jason Disley poet.

This book is like a collection of verbal photographs, it is a series of moments and thoughts made during 2020 – 2021, that I have recorded and chosen to share.

Pop Versus Subterranean the new book by Jason Disley

I hope though, that the work serves to inspire, and in a small way educate. Like my literary heroes, I believe in the art of expression. I self styled myself as a modern day Beat Poet because I have similar tastes to those that went before me. I live to live, and wholeheartedly take on board experience – no matter whether it is good or bad. I live in the moment, and take each day as it is. During the Pandemic, as with many of you out there, there have been difficult days, and days that seem easier. Creativity has helped me. As I am sure many of you out there have also been productive. This is the fruit of my labour. I hope you like it and whether it stays underground or becomes popular is not up to me. I just want it to be read, and hopefully appreciated.

The collection has a wonderful foreword written by poet and artist Becky Nuttall, who is also a curator of exhibitions and helps run Stanza Extravaganza, a (before Covid) regular spoken word event in Torbay. She has her own collection called Nick’s Gift – which I highly recommend. It is available from Amazon.

Pop Versus Subterranean will officially be available from Lulu.com as of 26th of March. It is also available via myself and in a few weeks time from various other online retailers.

The book retails at £10.99 +pp

Please send me a message if you would like a copy.

Here is the title poem. Pop Versus Subterranean:

The title poem: Pop Versus Subterranean by Jason Disley

Thanks for reading.

Jason Disley.

Writing 20th Century Pulp Fiction in the 21st Century

I have come to realise that as a writer, there is a style I gravitate towards. I don’t pretend to be highbrow or sophisticated like somebody who went to a particular university, or had a privileged education. I do not have airs and graces. I write about what I find interesting, and entertaining. I weave tales that are not over complicated, but have enough spice (I hope) to turn a page. So, what is it that drives my interests? What is it that makes me return to a genre that is full of those things that so called “polite” society call taboo?

It’s that boyish sense of adventure. I am quite clearly a little immature. I want to be titilated, and experience danger, lust and crime. I want to be the sheriff or the man in the black hat as you would see in a classic Western. I want to be a Gangster, or a super sleuth. I want to sleep with the Femme Fatale, although it could be the death of me – and so it goes on.

Pulp Fiction, is where its at. You escape into the underbelly of life and experience a grittiness that is equally alluring as it is distasteful. The tales can appeal to our most basic instincts. But they also serve as a quick escape from the real world. Where the mundane existence of life seems to crowd in. I think that a great pulp tale from the 20th century provides a portal to life that has a glamour that isn’t as obvious in life today. Interaction between characters is vital, and at a time when distancing yourself from others can be seen as important, so these interactions jump off a page.

So, for me writing within this genre seems a natural fit. I don’t just stick to the formula though. I experiment and provide stories that have enough familiarity that you want to read, but are also different in structure. My Pulp Fiction Poetry for example has a lyricism that helps convey mood, rhythm and a musicality.

Whereas my prose embraces many different genres so as to try and create something original. That is the crux though. How do you provide something that hasn’t been done before? Well you don’t. You go with your instincts. You write about things you are interested in, and hope others are as well. You pick the elements you like, you absorb ideas from around you – on the Internet, in books, on film or even on the radio. Then you regurgitate it in a new way. Taking things forward in the manner that storytellers do.

It’s hard work being a 20th century Pulp Fiction writer in the 21st century. But it continues as an accessible entertainment, and tradition that is there to be enjoyed.

I have written two novels and two Pulp Fiction Poetry collections. This year I hope to complete a third novel and a third Pulp Fiction Poetry collection. I am pretty sure these won’t be my last. It seems I am on a road of my own choosing, where story telling is my thing. So if you want to dig my work check it out at the various online platforms it is available from:

Amazon,

Apple.

Barnes & Noble

Kobo

and

Lulu.com

Watch this space for my forthcoming projects – including news about my first non fiction book.

Kindest regards readers. Stay safe

Jason Disley.

“Take It Or Leave It” Or more “Left than Taken” ?

“Take It Or Leave It” Or More “Left Than Taken”?

The New ebook by Jason Disley

When the Covid 19 Pandemic hit the UK with a lockdown in March 2020. I took the opportunity to self publish the sequel to my debut Novella Seven Day Fool. The novel titled Take It Or Leave It. The novel is a tale set a few months after the end of the first book, and sees the main character develop, and become the reluctant hero I wanted him to be.

Seven Day Fool by Jason Disley

I felt that due to lockdown, it was prudent to publish this second novel as an ebook. However, after publication it has not really sold. Naturally I questioned “why?” Initially it was formatting errors and Covid that delayed distribution. In fact despite re-formatting I am still trying to be patient as I wait for this novel to go through the whole global reach process, again, and be more widely available. So, yes. Take It Or Leave It is being more Left than Taken at this moment in time. But, I hope it will not remain so. I am after all quite proud of my imaginative story that puts one man into a situation that is quite profound and different from his life so far. It sees him discover what he is capable of, and his determination to get through to a conclusion that is for him, is satisfactory and just.

The tale pays homage to sixties spy novels, crime capers and the sort of Pulp Fiction I enjoy. With it being set in the sixties I am able to include elements of style and culture that are of that time. For me, the novel is quite cinematic, and it’s international flavour, and Cold War paranoia makes for the sort of thriller that although feels familiar, is just different enough that it achieves to bring to life that era without it feeling corny or a pastiche. The story is not Austin Powers meets James Bond and The Avengers. Its more The Ipcress File meets The Quiller Memorandum with a dash of The Saint in my mind. So, why am I sharing this?

Quite simply I want people to read my novel. Perhaps it’s my own insecurity as we live in these insecure times that has made me write this. I believe in the work I have spent many hours creating. But, without an agent or a traditional publisher – self promotion is the only option at this time.

As with all writers, one thing that inspires us is feedback, whether it be constructive criticism or praise. I want people to enjoy my novel. I want people to say yes – that was a great little tale. But equally, I want to hear where I can improve and develop.

So, please check it out. Maybe read it, and let me know if you were right to take it, or perhaps you feel you should have left it.

Buy Take It Or Leave It by Jason Disley here:

Buy Seven Day Fool here:

Hopefully next time I write here, I will have received some feedback with regards to Take It Or Leave It, and will have news about some of the other exciting projects I am working on.

For now, take care.

Jason.