So I have published my latest collection of poetry.
It is a great feeling producing a book and seeing it in the flesh. Published through my own imprint Beatnpress. This book is a really honest collection. I am proud of it, because it has been created during what has been a tumultuous year for so many people.
As poet and artist Becky Nuttall writes:
Jason covers all the current major themes in ‘Pop Versus Subterranean’ – everything we have lived through and our thoughts in the last months ; the Pandemic, Black Lives Matter, the Government, reflections on love, youth, the Jazz Age, suburban life , the influence of Pop Art, the Cosmos – understanding how we need to recreate our own space – virtual, fantasy or reality.
From the Foreword of Pop Versus Subterranean by Jason Disley (2021)
The intention is a collection that is relevant and up to date, but also explores the nature of what is popular, and what is considered Subterranean or Underground. Its about being innovative and striving for success, but not necessarily selling out.
As with most of my work there is a musicality and use of rhythms often likened to Jazz. I am a self styled Beat Poet, and I wear my influences on my sleeve.
Of all my poetry collections, this one is perhaps one that reflects the way I think the most. I have also been very creative with the design of the cover. Using Pop Art style motifs similar to Peter Blake and colours I have tried to link the interior with the cover in an artistic way. The arrows and the red circle are a nod to the influence Paul Weller has had on my work.
The image of Paul Weller wearing on the cover of This Is The Modern World shows Paul wearing a jumper with two arrows and a badge on the front.
I chose a reinterpreted simplified version for the main image. When creating this cover. It’s not an exact copy. The arrows differ in size on the book cover because the meanings inferred by the image in relation to the books title are different than the Pop Art/Punk ethos Paul Weller is implying. It is also reversed as I did not want to be seen as copying an idea, but taking it as an artistic influence.
If you are interested in Pop Versus Subterranean you can either use the contact form on the menu of this page and make a request for signed copies or go to lulu.com where the book is printed and dispatched on demand.
There is a new collection of what I term “Modernist Beat Poetry” coming out on March 26th. It is available via Beatnpress.
It is a collection that delves into various topics and thoughts during the last twelve months. The world is very much changed, as society has had to come to grips with the Covid 19 Pandemic. So, in this book some of the events and my personal perceptions are revealed. Such as, the Pandemic, Black Lives Matter, the Government, reflections on love, youth, the Jazz Age, suburban life , the influence of Pop Art, the Cosmos – understanding how we need to recreate our own space – virtual, fantasy or reality.
It is not unlike other books I have written, as there are elements of musicality in my poetry. I am fascinated by society, culture and art, and write honestly, sharing things as I perceive them. During lockdown, we all have moments of fear, horror, hope and yearning. Thereabout comes senses of rebellion and at times even confrontation. But, there are also moments of optimism and hope. Life is complicated, and as a writer I search for understanding. There are also moments where I drift into surrealism.
However the main focus in the book is the relationship between Popular culture, and underground culture. What is underground today, could be the popular culture of tomorrow. There are nods to Pop Art, and some quite Avant-garde ideas, as well as the fickleness of Pop. More niche ways of thinking are looked at by society with suspicion yet are equally valid. Underground movents or subcultures can express amazing wisdom and foresight. Some will disappear, but others will grow in popularity.
This book is like a collection of verbal photographs, it is a series of moments and thoughts made during 2020 – 2021, that I have recorded and chosen to share.
I hope though, that the work serves to inspire, and in a small way educate. Like my literary heroes, I believe in the art of expression. I self styled myself as a modern day Beat Poet because I have similar tastes to those that went before me. I live to live, and wholeheartedly take on board experience – no matter whether it is good or bad. I live in the moment, and take each day as it is. During the Pandemic, as with many of you out there, there have been difficult days, and days that seem easier. Creativity has helped me. As I am sure many of you out there have also been productive. This is the fruit of my labour. I hope you like it and whether it stays underground or becomes popular is not up to me. I just want it to be read, and hopefully appreciated.
The collection has a wonderful foreword written by poet and artist Becky Nuttall, who is also a curator of exhibitions and helps run Stanza Extravaganza, a (before Covid) regular spoken word event in Torbay. She has her own collection called Nick’s Gift – which I highly recommend. It is available from Amazon.
Pop Versus Subterranean will officially be available from Lulu.com as of 26th of March. It is also available via myself and in a few weeks time from various other online retailers.
The book retails at £10.99 +pp
Please send me a message if you would like a copy.
I have come to realise that as a writer, there is a style I gravitate towards. I don’t pretend to be highbrow or sophisticated like somebody who went to a particular university, or had a privileged education. I do not have airs and graces. I write about what I find interesting, and entertaining. I weave tales that are not over complicated, but have enough spice (I hope) to turn a page. So, what is it that drives my interests? What is it that makes me return to a genre that is full of those things that so called “polite” society call taboo?
It’s that boyish sense of adventure. I am quite clearly a little immature. I want to be titilated, and experience danger, lust and crime. I want to be the sheriff or the man in the black hat as you would see in a classic Western. I want to be a Gangster, or a super sleuth. I want to sleep with the Femme Fatale, although it could be the death of me – and so it goes on.
Pulp Fiction, is where its at. You escape into the underbelly of life and experience a grittiness that is equally alluring as it is distasteful. The tales can appeal to our most basic instincts. But they also serve as a quick escape from the real world. Where the mundane existence of life seems to crowd in. I think that a great pulp tale from the 20th century provides a portal to life that has a glamour that isn’t as obvious in life today. Interaction between characters is vital, and at a time when distancing yourself from others can be seen as important, so these interactions jump off a page.
So, for me writing within this genre seems a natural fit. I don’t just stick to the formula though. I experiment and provide stories that have enough familiarity that you want to read, but are also different in structure. My Pulp Fiction Poetry for example has a lyricism that helps convey mood, rhythm and a musicality.
Whereas my prose embraces many different genres so as to try and create something original. That is the crux though. How do you provide something that hasn’t been done before? Well you don’t. You go with your instincts. You write about things you are interested in, and hope others are as well. You pick the elements you like, you absorb ideas from around you – on the Internet, in books, on film or even on the radio. Then you regurgitate it in a new way. Taking things forward in the manner that storytellers do.
It’s hard work being a 20th century Pulp Fiction writer in the 21st century. But it continues as an accessible entertainment, and tradition that is there to be enjoyed.
I have written two novels and two Pulp Fiction Poetry collections. This year I hope to complete a third novel and a third Pulp Fiction Poetry collection. I am pretty sure these won’t be my last. It seems I am on a road of my own choosing, where story telling is my thing. So if you want to dig my work check it out at the various online platforms it is available from:
Barnes & Noble
Watch this space for my forthcoming projects – including news about my first non fiction book.
As well as releasing these books, in the last week I have written an article for Zani, which is an online magazine with articles covering a wide range of topics. The article I wrote was titled A Pint Of Bitter, Bound To Be A Good Thing… And was About British Jazz icon Tubby Hayes, and a new limited edition book that has been published by Mono Media Books. In the article I interview the main man behind the project-Mark Baxter, who is an author and film producer, amongst other things.
You can read that article here, and if you are interested in this book about the British Jazz legend. You can follow the link for more information at the end of the article.
So, as you can see – I have been fairly busy. However, the main thing I wish to bring to your attention is my new paperback that has been released – it is titled – Angel In Alabaster,
and is the sequel to Beat To A Pulp. It is a book I am very pleased with and continues with the theme of writing a prose tale in verse form. My interest in Pulp Fiction and Film Noir is very apparent in this book, and it contains moments that feel familiar, and comfortable within the environment of the tale. In fact. An up and coming writer – who is very hip to the world’s I allude to in the book has written a foreword to the book, which I feel gives the reader an insight into what Pulp Fiction Poetry, Or Film Noir Verse is. Here is that foreword:
It’s a pulp world. A space where people make shapes, alloyed by desire. It’s where Exterior means: “I need to get from Point A to B, with a direct response,” as Interior leaves us groping for dark epithets with one hand, while knocking back a boiler maker with the other. Jason Disley knows this world like the back of his hand. Read The Angel in Alabaster and you’ll be on several fifth drinking terms with it. It’s a warm enough room; a bourbon haze, a nascent lounge lizard on the Wurlitzer and a Turkish delight scarlet hue in the furnishing. Pick through the Fry’s, expect to stumble upon some ebon promise. Loretta, Johnny, The Artisan: all creations unique to Jason’s palette – the wasp’s sting here is in their familiarity. The initial impact of The Angel in Alabaster comes from this sense of ironic comfort. For a long time fan of the novels of Raymond Chandler, the songs of Johnny Mercer and the silhouette of Gene Tierney, reading words that invoke 1940s LA hums the same heat as Vernon Duke’s mellow Manhattan Fall: “Glittering crowds (…) In canyons of steel / They’re making me feel I’m home.” But, as a later poet of sky rises observed, It’s also where the hatred is. The Angel in Alabaster has a raison d’etre supplanted from a previous work, BeattoaPulp: a juxtaposition of the argot of gumshoes and cheese cakes with the ennui of the verse styling found in T. S. Eliot’s 1920s modernism. In laymen’s terms, this is a way of depicting a story filled with the pulse of hard boiled sensuality, through a poetic metre impressing ‘hip’ speech rhythms, for those of a Spillane bent, at the same time as employing strong rhymes to locate a subtle sense of the universality of Noir in these Google fried times. “The stuff that dreams are made of” now so manifest that “doing a number” is as much part of the current bloodstream as a commonplace app; on its 20th Luckie for the day of course. And this is where Jason mounts his own unique killer-diller. Jason’s poetry in The Angel in Alabaster delves into Noir as an intrinsic part of so many of today’s cultural default mode. Sin City – look at the implied neons and Edward Hopper pallor. Peaky Blinders – the hissy darkness and ‘hat as icon’ imagery. Boardwalk Empire – well, It’s like a resort for…. Gangsters. However, Mr. Disley is anything but the lid on a semiotic dust bin. E. M. Forster told us to “only connect;” he could be describing the best way to tuck into The Angel in Alabaster’s rhyme of the non’lent gumshoe jazz riff. Dig the influences, connect the dots. How modernist. Dot connection is indeed the thing wherein we catch the shtick of the Dis. Slang is normally habitual; It’s great paradox residing in it being always there, despite fashion making it permanently transient. Within the bounds of The Angel in Alabaster, it functions as a refining signifier, beckoning towards a signified inscribed with ‘pleasure.’ Jason’s utilisation of Eliot’s bleak poetics illustrates this best of all. Cf, The Waste Land: She smooths her hair with automatic hand, And puts a record on the gramophone. ‘This music crept by me upon the waters’ (…) O City City (….) Now ‘Angel’: Johnny needed to shake the lead out of his shorts (….) He would find the gator with a gat Or the cat with a shiv Who had decided the Lady in The Jade Dress must crowd (….) He needed Seven to become Eleven in this crap shoot.
In The Waste Land, speech rhythm connotes towards ennui – a boredom that beckons towards an out of reach memory from a Tempest. In ‘Alabaster’, the metre is also of speech, but this time the modernist urge to make it new comes not as a lofty literary, but in a bouquet of side mouth rye. The fragments that Jason stores against The Artisan’s ruins read more like William Gottlieb’s photograph of 52nd Street: from swing to bop is the measure of Seven becoming Eleven. The Angel of Alabaster may allude to Eliot’s “a handful of dust,” in form; when read and digested, the grab is still there but definitely in a lamp gaze view – from the lipstick cap to Lana Turner’s eyes, plus John Garfield’s peak in between. Whether you dream of Rita Hayworth or crack like Jimmy Cagney, rein in your 38. for Jason Disley’s latest invitation to the pulps. *
Nathan James Le-bas
*: All quotes from The Waste Land, The Complete Poems & Plays of T. S. Eliot (London, 1969).
AngelInAlabaster has a wonderful bookcover designed by Mark Head Aka Mr. H. Mark, designed the cover for Beat To A Pulp, and it seemed natural to ask him to design the cover for this collection.
The book is available now from
And soon it will be available from other online retailers such as Amazon.
Going forward, I am working on a third Film Noir Verse book, and the sequel to Seven Day Fool, titled Take It Or Leave It, this book will initially be made available as an ebook. I hope that when the time is right it will be published in paperback.
Lastly I wish to share a video of a poem I have written, that is a message for all of us at this time. As we all make our way through this Pandemic – follow the rules and keep safe. I will no doubt be sharing something else with you next Monday. JD.
It is now available! The spoken word album that began as a concept back in 2016.
When I was approached after sharing a poem on a popular social network, and asked if I would like to record something. I jumped at the opportunity. It was something that had never really crossed my mind. But, as soon as it was proposed, I thought – yes! So then Rick Blackman – the musician and producer who had proposed the idea – and I got to work on teaming up original compositions with my poetry. So it began – a fulfilling and exciting period of creativity. It was a project that was done over long distance. Rick lived up in the north west of the UK and I lived in the South West. But with the use of today’s technology we were soon able to work well together, swapping ideas and doing our best to create an interesting body of work. Both Rick and I love music and have an affinity with various styles of music. Both of us are interested in the history of British subcultures, especially the mid twentieth century. This is reflected in some of the music on the album. There are many nods to those periods. There is also a very European feel to it, and with one track – Breathless there is a real sense of French cinema in the music. In fact Breathless is read in French by Gabriela Giacoman – the lead singer of the French band French Boutik. Serge Hoffman, also of French Boutik also adds his voice at the start of the album, supplying and setting the scene with an introduction that allows the listener to imagine the album has been recorded live in a club in Paris.
To add to this, fellow writer Jason Brummell has kindly written a fictional scene as a foreword to the twelve page booklet that is included with the CD.
When Adam Cooper, the head honcho at Heavy Soul Records heard the demos and agreed to releasing the album. You can imagine how thrilled I was. This was an incredible moment. I was at the beach with my family when I received the call. You can imagine how I was when I heard the news. I was jumping up and down in my swim shorts on the beach. Onlookers probably thought I was trying to invent a new dance! I was that elated. Even with the yes, due to the schedule and the album taking its place in the run of things, it took another year for this release date to arrive. In the meantime I have worked hard at improving my craft. Becoming more comfortable with performance, (I even host a regular spoken word evening called Speaky Blinders) and have written quite prolifically. Returning to these poems will be a joy as I endeavour to share what is on the album in the coming months.
Here is just one of the tunes off the album for you
I recently submitted a couple of poems to an exhibition at Artizan Gallery in Torquay which was curated by poet and artist Becky Nuttall and fellow poet Robert Garnham.
I was thrilled to have my poems included in the exhibition which juxtaposed the poetry with fine pieces of artwork.
The exhibition is a fantastic celebration of placing either yourself or the area of Torbay in a celestial place beneath the Moon. The whole nature of the exhibition was open for broad interpretation as all art should be. Provoking stimulus, whether it be memories, places, or
The two poems I submitted were The Echo Of Sea Shore Tides, and The System AKA Grockle Town.
The first, Echo – is relating to life in a seaside town, the microcosm of rock pools, the way life changes with the Tides which are of course ruled by the moon. It reflects how the order of life can be changed, and yet there is always a glimmer of hope even when the natural order has been disturbed.
The other poem was a poem inspired by a film and novel titled The System which was inspired and written about life in Torbay during the 1960s. The screen play was written Peter Draper, who also happens to be Becky Nuttall’s Father. She told me that her father actually coined the term “Grockle” which has since been entered into dictionaries meaning : a noun Grockle: derogatory term for holiday maker usually visiting Devon or Cornwall.
Now I myself used to visit Torbay as a child in the seventies and eighties, before moving to Devon in the nineties. I had seen first hand the way the local lads would charm the holiday makers looking for fun, romance and excitement. I myself upon moving here I will unashamedly admit behaved in a similar manner as I was a young single man looking to have fun. So, when I was given the opportunity to write a poem about Torbay The System came to mind. I have read both the book and watched the movie, and from my own experiences growing up felt suitably inspired.
The poem can be seen on display as part of the Exhibition which I highly recommend, and not just because I have a couple of poems on display there, but because there is a great mix of wonderful art and words on display.
I will be appearing at Artizan Gallery on Monday the 20th of May as part of a Live event that will include music and poetry.
I will be performing poems from my new collection Chaos Reigns Supreme. The poems that are in this exhibition and some poetry from previous collections.
I have a new collection of poetry out! It will be officially launched on May 7th. I can’t wait to get it out there for people to read.
It has been a while since I have posted anything here – Something I should rightly apologise for. So, I am sorry. I promise not to take so lo g before I write something here again.
It has simply been, that I have been extremely busy of late, and, it really doesn’t look like the workload is going to change anytime soon either! Which is a good thing. Its good to keep busy. I have recently completed the sequel to my novel Seven Day Fool a book called Take It Or Leave It, It has been sent to the publisher. Ihave also been performing regularly at spoken word events. I recently took part in the Torbay March Of The Mods event at the end of last month, which saw as usual a group of like minded people helping raise money for the Teenage Cancer Trust, a very worthy cause.
As well as all that – I have collated the twenty five poems that are in this new collection. Chaos Reigns Supreme.
The book is titled after a poem I wrote and have performed a few times at spoken word events. It’s subject matter reflecting the current state of affairs in the UK, and Europe. Here is that very poem that inspired the collection.
The collection isn’t all doom and gloom though. There is light and shade as it deals with many aspects of life. It doesn’t shy away from moral panics, but also looks at existence and the necessity of hope. Poems with titles such as Things Are Changing, and A Positive Flame, are in there, as well as poems such as Knife Crime, and If Poems Were Bullets. It is a collection that reflects society at a time when Chaos does seem to be everywhere. But, the truth is – there should always be a glimmer of hope. A voice of reason for us all. The book is my voice of reason, with honesty at its core. It is a book that apparently
Combines the rhythms of 1950s Beat Poetry, with a fresh look at modern life, and illustrates them brilliantly with his verse (Pulp Magazine)
At long last the wait for my debut album to be released is almost over. Adam Cooper the head honcho at Heavy Soul! Records confirmed recently that Speakeasy is the next album to be released on the label. The poems that are on this unique spoken word album were written many years ago. In fact a couple of them were in my first publication way back in 1996! So, finally sharing them via an album is a big deal for me. The music that accompanies them was written and produced by Rick Blackman. A man whose musicianship, knowledge and creativity is simply superb. He is a true modernist with always a view to moving things on, not standing still and takes those recognisable elements of the past and shapes them into wonderful new things. It has been an honour to do this collection. Which I have mentioned in various other articles I have written previously.
Heavy Soul Records 2019 releases
So, that is my news for now. Please feel free to purchase any of my books that are available online. Or contact me for info on performances etc.
It’s a long time coming – but the debut album by yours truly will be worth the wait, trust me.
Mixing Modernist Beat Poetry with music provides a Spoken Word album that is different, and full of diverse poetry that will resonate with some of you out there. It’s a concept album – its a performance in a club in Paris, somewhere by the left bank and starts with an introduction by Serge Hoffman from French Boutik, and then goes into a series of poems all accompanied by original music written and performed by Rick Blackman. The slick music enhances my poetry and elevates it. There is a mixture of the serious, the not so serious, and the surreal, all served with that outlook of the Mod scene. It’s about looking to the past, wearing your influences on your well tailored sleeves before moving things forward along a path of your own choosing. It’s speaking easy about what you believe. It’s living in the now and having ambition. Even if that ambition is literally only a moment away.
It’s a project that came about by chance and is a body of work that I am proud of. I am really looking forward to sharing it, and hope listeners and readers alike will dig this album as much as Rick and I do.
One of the poems included on the album is
It’s about wanting to have a good time. To experience those moments that are an escape from the mundane. It is a look at existence and how we need to fill our week with memories that are fulfilling. The poem first appeared in my book Runaway Soul!
Desirous of the escapism
Of mad deeds
That sow the seeds
Of new adventures.
Neon nights filled with
Hearts and the haunts
Of great troubadours.
Into the city
But only in those
That are not cloaked by
For those pockets hold
The wonder of life
That reaffirms an existence
Through the mediums of
Music, dance and style.
The stage is set
Kick in and
The weeks end
Flows to the
The mediocrity of
The existential life
New dawn breaks
And the light
Shines on the harsh
Showing us the cracks
In the decaying
That is why they say
“Life is what you make it”
For now I will
Be the architect of
My own ontology
Bringing about a happiness
That I hope can be shared.
(Jason Disley 2016)
The album Speakeasy will be available sometime in 2019. There will be a single released prior to the album and they will both be released by
It was recently highlighted to me that I published my first poetry collection back in 1996. 22 years ago! My outlook is still the same. My first book was a call for a New Beat Generation to emerge – writing profound words that inspire the next generation. Now recently there has been a real renaissance in terms of Spoken Word. There are poems used on mainstream adverts on the television. There are spoken word events popping up everywhere. I even curate my own Spoken Word night with the help of fellow poet Robert Garnham. Our night is called Speaky Blinders and it is a night that is gaining in popularity, thanks to the great venue:Peaky Blinders Bar in Paignton, and of course the wealth of local talent. All wordsmiths with a great deal to say. As Robert Garnham stated – there is a peculiar micro climate in Torbay where the local booming spoken word scene is very much about fun! Well like the original Beats, Beatniks and Mods, Rockers, hippies, and Punks – those that are into the Spoken Word scene are out to get their kicks. These events are great platforms to share messages. Sometimes it’s deftly showing off your skill with word play, sometimes it’s silly and nonsensical, but other times it’s deep, profound and personal. There is a lot of comedy in Torbay, and that’s probably because, at this time we all feel we need a good laugh. An escape from the ongoing debates about Brexit, the state of the economy, education, housing, the National Health Service etc. The Spoken Word scene to me is so diverse – it is magical. People from all ages and backgrounds are there to take part and enjoy it. Not like other scenes, where it is usually the young disenfranchised teen raging against the machine, it as inclusive as you can get. It’s welcoming, it’s not generally descriminate and audiences are prepared to listen. Not that those subjects just mentioned above don’t get included in some of the poems and stories that the local spoken word artists tell. It is rather that for a few minutes an individual can share the honesty of their minds. Their individual thoughts and aspects of their personality. Everyone wants to share who they are to some point. Some rant, some tell sad stories, others are funny, and some are just (tongue now firmly in cheek) bonkers!
As stated in previous posts – I admire the original Beat Generation. Although I may have not travelled as much as those writers, my journey has always been about enriching my life with experience – to allow myself to develop and ultimately find pleasure in as many moments as my life will allow. Is there a Beatnik Revution? I don’t know – but the poetry scene has expanded in the last decade in ways that could be seen as an explosion. There are creative minds getting their kicks with words again. It’s not just the domain of Rappers and MC’s – although it has to be said of course, some of these lyrical geniuses are without doubt great poets. But, its happening. A subliminal rise of spoken word that will always give thanks to the influence of a Generation from the middle of the Twentieth Century. There are great young poetic talents out there, and those that have been writing and spouting for some time. It is truly wonderful seeing them mix and learn from each other. The creativity is bubbling way and those that dare are experiencing some truly magnificent moments.
The last month saw my regular performances at Stanza Extravaganza at Artizan Gallery, and of course Speaky Blinders, where we had the fantastic Exeter based poet Ross Bryant headline. October sees myself doing a few more things. I will be performing at Big Poetry on October 11th. Then on the 13th I will be at the Heavy Soul Records Alldayer in Birmingham. (more news about Heavy Soul Records to be announced soon.) The 20th sees me performing at an event in Paignton thanks to a wonderful poet called Melanie Crump. Then on the 23rd I will be performing and Co hosting at Speaky Blinders – which for one night will become Spooky Blinders, and has the wonderful and haunting story teller Mic B headlining.
Well here we are in August. Today’s blog starts with the sad news of a fellow poet who has passed away.
He was someone I only knew briefly. But, his entrance into my life has been profound. He was a kindred spirit. A lover of Jazz and The Beat Generation. He was anti establishment, despite – or maybe because – he worked in banking in the City of London in his younger life. But his love of Jazz and the hedonistic writing of the Beats made Jazzman John Clarke follow his own road. One full of discovery and zest. He seemed to have had at times a difficult life, but he never let it get him down. Instead he showed the verve and spontaneity of what he called himself – A Jazzman. His poetry drove along to rhythms I admired. I have listened to recordings he has done, and seen videos he is in. The charm of this excentric Shamanistic reveller never ceasing to amaze me. His conviction being so pure and free because he believed in what he was doing. I was introduced too him via the Internet by Chris Free from Mr Free Shirts and the Singer, Songwriter of the superb band – The Sound Of Popart. Whose latest album’s title The Beat The Beautiful And The Loaded could sum up John very easily. His words could be beautiful, and were often loaded with thought provoking statements. And he was always a true Beat as far as I was concerned. When John and I began to converse it was fantastic. Here I was – the lesser experienced performer, but someone who admired what I was hearing and seeing. His enthusiasm matched my own. He loved I had written books about Jazz and Blues music. From the conversations we had – it was only natural I ask him to write the foreword to my third book in a music trilogy. This book – Runaway Soul! saw him place an everlasting stamp on my life, because he very graciously said he would be honoured to do so.
Here is a snippet of what he wrote about my poetry:
“The words quickly draw you in with the staccato of repeated one-liners that proceed to propel and project the reader forward and all the while the poet’s unmistakable voice is present, laid bare, loud, clear and uncluttered.
Then, like a stray spark from a flame, urban reality kicks in… “