Another great book to add to your library – It’s just the ticket.

Beatnpress are thrilled to have Christian Scully -an exciting young poet – include his fantastic poetry chap book Dayrider, as one of our exciting new publications this summer.

To get an idea of why Beatnpress are excited to publish a new edition of Dayrider by Christian Scully:

You’re like the M Night Shyamalan of poetry, relatable then come in with the kicker’

– Matt Tancock BBC Radio Devon

Bean13poetry aka Christian Scully is the self proclaimed bus stop bard, mainly penning his poems on public transport as he commutes to and from work across the English Riviera.

Bean first started writing in 2019 and was the first performer for BBC Radio Devons Upload show after submitting some poems on a whim.

Spurred on, Beans mixes his passion for writing and music to create lyrical poems about everyday life in the small sleepy fishing town of Brixham as well as life growing up in his hometown of Birmingham.

During the pandemic, Bean was published in various international anthologies and performed at several online slam events.

Released into the world post-covid and no stranger to the stage, Bean now tries to fuse music and poetry during his performances as well as performing with Cornish indie-electro band Ruinarte.

Bean is currently working on a spoken word EP with the good folks at Morvil Studios Bodmin, which he hopes to release in late 2022 and his debut collection Dayrider is available via his instagram @bean13poetry

‘…observational, reflective poetry that elevates the everyday through the context of coastal life in England… finding the magic in the mundane’ -The Calliope Script Publishing commenting on Dayrider Chapbook Collection

——–

The book will be available from early June.

The forthcoming book by Christian Scully.

Along with Dayrider, Beatnpress will be publishing Woodview by Robert Garnham, and The Forgotten Whisper On The Wind by Jason Disley.

These three books are great examples of the diverse nature of Beatnpress and will no doubt be enjoyed greatly by everyone who reads them.

Every chapter is a new adventure. Check out the other books we have available at http://www.beatnpress.co.uk.

Exciting Times Ahead!

Beatnpress is expanding with submissions from other writers! The current Bard of Exeter, aka The Professor Of Whimsey – Robert Garnham has a fantastic new book of “serious poems” on its way. Woodview is a departure from his usual works, and is the perfect fit for Beatnpress. Robert is highly respected on the Fringe circuit and has travelled wide and far to share his writing. More news about this book coming soon.

Robert Garnham

There is also works in the pipeline by other writers, the respected novelist Pete Mckenna, and poet Carl Burkitt. On top of that a series of short stories has been considered.

The Forgotten Whisper On The Wind by Jason Disley

Also soon to be released is the third Pulp Fiction Poetry tale by myself, The Forgotten Whisper On The Wind. With a foreword by novelist/podcaster and the man behind http://www.zani.co.uk Matteo Sedazzari.

The Lost Notes by Diz

The Lost Notes Notes by Diz is receiving great feedback and will no doubt continue to garner enthusiastic readers. The fact that Beatnpress has enabled such projects to see the light of day is something that I am proud of.

Each new chapter is an adventure!

More news soon.

Goodbye 2021 -hello to an exciting year!

This next twelve months hopes to see things build, in both my writing career, and the success of beatnpress. There are projects on their way, and many new opportunities to come I am sure!

It’s been a very mixed year for me 2021. I have had some extremes throughout. There are almost too many things to mention – and that is no way me to trying to brag. From an individual point of view I have achieved some things and made a reality things that were once upon a time dreams and aspirations.I have made my publishing venture more than just a vehicle for my own work – it now serves as a platform for others. Beatnpress saw the publication of the incredible memoir written by the late Tanya Kennedy – UB40 a legal drug – who with her husband Andy Kennedy – we created a book that has proved to be quite popular and at one point was number 2 in the Reggae Music Book chart on Amazon – all proceeds of which have gone to St Margaret’s hospice in Taunton.Earlier in the year I published my poetry collection Pop Versus Subterranean – a collection of Pop Art poems I am extremely proud of. As yet due to the Pandemic I have only read and performed from it once to a live audience and that was on stage at The Palace Theatre in Paignton.2021 also saw the www.beatnpress.co.uk website go live – providing an outlet to sell these books and other books I have written over the years. I have also had a busy time writing articles including articles for Detail magazine, Adam Cooper at Heavy Soul, and Subbaculture – as well as working on my most recent book The Lost Notes By Diz (An unconventional novel about spiritualism, jazz and erm – Jim Morrison!) , and other forthcoming publications. There is my first non fiction book The Desired Article – a Concise Look at Style. This is a series of articles written about articles of mens clothing and some particular fabrics. Articles that reflect why they have remained popular throughout the last century and form the basis for what in the 21st century we see as the building blocks of true style. The book will be published by Zani soon and more news about it will be announced in the New Year. The brainchild behind Zani is Matteo Sedazzari – who has worked with some fantastic people and is a respected author in his own right. Recent publications by Zani are Tales from the Foxes of Foxham written by Matteo Sedazzari and the play Performers written by Irvine Welsh and Dean Cavanagh.I have also been co-writing Sartorial 64 with Nick Keen with the design and artwork by the fantastic Alf Button – if you are not familiar with Alf’s work check out Alf Button’s Revenge. This project has taken up many interesting hours of research, and is one I can not wait to see when it’s complete. All I can say is – we are all in for a treat. 2022 will see me continue to write, including my third Jake Brody Novel Reach Out Of The Darkness – which is taking longer than I had hoped since I have been so busy on other projects. There is also my third Pulp Fiction Poetry tale The Forgotten Whisper On The Wind to complete, and is I am pleased to say, nearing its climax.Other things that happened in 2021 that I did not expect but did were: taking my father to see Tom Jones perform live in Plymouth, be on Morcheeba Band‘s guest list at the Gone Wild Festival at Powderham Castle, meet Steve Brookes at the Stone Foundation gig at Exeter Phoenix and briefly chat with Neil Sheasby and Neil Jones. All of these things were highlights to at times a difficult year. Continued separation from loved ones has been hard. The Pandemic has made life far far from normal – and I feel blessed to have achieved some things in the last twelve months. However, financially I have struggled, and health wise things have been up and down both physically and mentally. As I write this, I am writing it whilst having Covid. At the moment I seem to be OK, and I sincerely hope I make a quick and full recovery. My wife is also poorly, and I so hope she gets well soon. Understandably this isn’t the end to 2021 that we hoped for. I hope 2022 will be one of vast improvement, and that I am able to continue to follow my dreams. I also hope there are many good times to be had by all in the future. I like to live in the now and will take each day as it comes. My reflection on the past year – is that determination can see you through if you believe enough. Follow that dream – work hard and eventually things will fall into place. I dreamed of being a writer, and 2021 has been the first year that I can say writing is more than a hobby – it is what I am supposed to do. So, move forward always, and learn from your mistakes. Peace and Love to you all and Happy New Year. I think 2022 may hold a few surprises… JD aka Diz x

A book with a difference – The Lost Notes by Diz – As inventive and original as a piece of jazz.

Creating something that is both original and different is no easy task these days. It can sometimes feel like everything has been done before, and to some degree that is true. The Lost Notes by Diz is a book that sees the author approach his topic in a creative form that is- well – not typical. There is an affinity for Jazz in the creation of the novel – but not in the long unpunctuated style and rhythms of the original Beat writer, Jack Kerouac. No. This book has themes running through it, ideas that are interesting tangents, and distractions, yet will return to its main theme. Much like the improvisation you would find in Jazz music. It’s novel approach creates a tale that is modern, yet has enough familiarity in it that it is still entertaining. There is in fact a point where the novel explores the ideas of clichés and whether both the book and the protagonist needs to use them. The layered approach allows the reader to enter the realms that are created. As fellow author Jason Brummell, ( All About My Girl and All Or Nothing) says – it is

“A highly entertaining lysergic flight of fantasy across the astral planes. An energetic rollercoaster of voodoo, jazz, Jim Morrison and the power of spirituality. As inventive and as original as a solo by the master himself, Dizzy Gillespie.”

Using poetry, prose, screenwriting, images and other creative elements it generates an almost fragmented trip into both reality and the fantastical that serves to echo its contents. The tale is also the result of twenty years of discarded ideas and notes that have never been published before. When the notes and discarded manuscripts were found they were edited and spliced together in yet another inspirational cut up style creating a completely new and original narrative.

As yet it is uncertain whether there will be a second tale. Diz is both a construct and a psuedonym – Should there be another though. It will certainly be another great addition to the Beatnpress library.

The Lost Notes will be available for pre orders from October 24th 2021 via http://www.beatnpress.co.uk

No more “Beating” about the Bush – I am here to promote my work!

So I have published my latest collection of poetry.

Pop Versus Subterranean by Jason Disley out now!

It is a great feeling producing a book and seeing it in the flesh. Published through my own imprint Beatnpress. This book is a really honest collection. I am proud of it, because it has been created during what has been a tumultuous year for so many people.

As poet and artist Becky Nuttall writes:

Jason covers all the current major themes in ‘Pop Versus Subterranean’ – everything we have lived through and our thoughts in the last months ; the Pandemic, Black Lives Matter, the Government, reflections on love, youth, the Jazz Age, suburban life , the influence of Pop Art, the Cosmos – understanding how we need to recreate our own space – virtual, fantasy or reality.

From the Foreword of Pop Versus Subterranean by Jason Disley (2021)

The intention is a collection that is relevant and up to date, but also explores the nature of what is popular, and what is considered Subterranean or Underground. Its about being innovative and striving for success, but not necessarily selling out.

As with most of my work there is a musicality and use of rhythms often likened to Jazz. I am a self styled Beat Poet, and I wear my influences on my sleeve.

Of all my poetry collections, this one is perhaps one that reflects the way I think the most. I have also been very creative with the design of the cover. Using Pop Art style motifs similar to Peter Blake and colours I have tried to link the interior with the cover in an artistic way. The arrows and the red circle are a nod to the influence Paul Weller has had on my work.

The image of Paul Weller wearing on the cover of This Is The Modern World shows Paul wearing a jumper with two arrows and a badge on the front.

I chose a reinterpreted simplified version for the main image. When creating this cover. It’s not an exact copy. The arrows differ in size on the book cover because the meanings inferred by the image in relation to the books title are different than the Pop Art/Punk ethos Paul Weller is implying. It is also reversed as I did not want to be seen as copying an idea, but taking it as an artistic influence.

If you are interested in Pop Versus Subterranean you can either use the contact form on the menu of this page and make a request for signed copies or go to lulu.com where the book is printed and dispatched on demand.

Pop Versus Subterranean

The book cover design.

There is a new collection of what I term “Modernist Beat Poetry” coming out on March 26th. It is available via Beatnpress.

It is a collection that delves into various topics and thoughts during the last twelve months. The world is very much changed, as society has had to come to grips with the Covid 19 Pandemic. So, in this book some of the events and my personal perceptions are revealed. Such as, the Pandemic, Black Lives Matter, the Government, reflections on love, youth, the Jazz Age, suburban life , the influence of Pop Art, the Cosmos – understanding how we need to recreate our own space – virtual, fantasy or reality.

It is not unlike other books I have written, as there are elements of musicality in my poetry. I am fascinated by society, culture and art, and write honestly, sharing things as I perceive them. During lockdown, we all have moments of fear, horror, hope and yearning. Thereabout comes senses of rebellion and at times even confrontation. But, there are also moments of optimism and hope. Life is complicated, and as a writer I search for understanding. There are also moments where I drift into surrealism.

However the main focus in the book is the relationship between Popular culture, and underground culture. What is underground today, could be the popular culture of tomorrow. There are nods to Pop Art, and some quite Avant-garde ideas, as well as the fickleness of Pop. More niche ways of thinking are looked at by society with suspicion yet are equally valid. Underground movents or subcultures can express amazing wisdom and foresight. Some will disappear, but others will grow in popularity.

Jason Disley poet.

This book is like a collection of verbal photographs, it is a series of moments and thoughts made during 2020 – 2021, that I have recorded and chosen to share.

Pop Versus Subterranean the new book by Jason Disley

I hope though, that the work serves to inspire, and in a small way educate. Like my literary heroes, I believe in the art of expression. I self styled myself as a modern day Beat Poet because I have similar tastes to those that went before me. I live to live, and wholeheartedly take on board experience – no matter whether it is good or bad. I live in the moment, and take each day as it is. During the Pandemic, as with many of you out there, there have been difficult days, and days that seem easier. Creativity has helped me. As I am sure many of you out there have also been productive. This is the fruit of my labour. I hope you like it and whether it stays underground or becomes popular is not up to me. I just want it to be read, and hopefully appreciated.

The collection has a wonderful foreword written by poet and artist Becky Nuttall, who is also a curator of exhibitions and helps run Stanza Extravaganza, a (before Covid) regular spoken word event in Torbay. She has her own collection called Nick’s Gift – which I highly recommend. It is available from Amazon.

Pop Versus Subterranean will officially be available from Lulu.com as of 26th of March. It is also available via myself and in a few weeks time from various other online retailers.

The book retails at £10.99 +pp

Please send me a message if you would like a copy.

Here is the title poem. Pop Versus Subterranean:

The title poem: Pop Versus Subterranean by Jason Disley

Thanks for reading.

Jason Disley.

Writing 20th Century Pulp Fiction in the 21st Century

I have come to realise that as a writer, there is a style I gravitate towards. I don’t pretend to be highbrow or sophisticated like somebody who went to a particular university, or had a privileged education. I do not have airs and graces. I write about what I find interesting, and entertaining. I weave tales that are not over complicated, but have enough spice (I hope) to turn a page. So, what is it that drives my interests? What is it that makes me return to a genre that is full of those things that so called “polite” society call taboo?

It’s that boyish sense of adventure. I am quite clearly a little immature. I want to be titilated, and experience danger, lust and crime. I want to be the sheriff or the man in the black hat as you would see in a classic Western. I want to be a Gangster, or a super sleuth. I want to sleep with the Femme Fatale, although it could be the death of me – and so it goes on.

Pulp Fiction, is where its at. You escape into the underbelly of life and experience a grittiness that is equally alluring as it is distasteful. The tales can appeal to our most basic instincts. But they also serve as a quick escape from the real world. Where the mundane existence of life seems to crowd in. I think that a great pulp tale from the 20th century provides a portal to life that has a glamour that isn’t as obvious in life today. Interaction between characters is vital, and at a time when distancing yourself from others can be seen as important, so these interactions jump off a page.

So, for me writing within this genre seems a natural fit. I don’t just stick to the formula though. I experiment and provide stories that have enough familiarity that you want to read, but are also different in structure. My Pulp Fiction Poetry for example has a lyricism that helps convey mood, rhythm and a musicality.

Whereas my prose embraces many different genres so as to try and create something original. That is the crux though. How do you provide something that hasn’t been done before? Well you don’t. You go with your instincts. You write about things you are interested in, and hope others are as well. You pick the elements you like, you absorb ideas from around you – on the Internet, in books, on film or even on the radio. Then you regurgitate it in a new way. Taking things forward in the manner that storytellers do.

It’s hard work being a 20th century Pulp Fiction writer in the 21st century. But it continues as an accessible entertainment, and tradition that is there to be enjoyed.

I have written two novels and two Pulp Fiction Poetry collections. This year I hope to complete a third novel and a third Pulp Fiction Poetry collection. I am pretty sure these won’t be my last. It seems I am on a road of my own choosing, where story telling is my thing. So if you want to dig my work check it out at the various online platforms it is available from:

Amazon,

Apple.

Barnes & Noble

Kobo

and

Lulu.com

Watch this space for my forthcoming projects – including news about my first non fiction book.

Kindest regards readers. Stay safe

Jason Disley.

A Pint Of Bitter, and Pulp Fictions

It’s been a week, since I last posted anything. Last Monday I mentioned various book releases I have made available as ebooks. Such as my novella Seven Day Fool, which is now available via iBooks

https://books.apple.com/us/book/seven-day-fool/id1505606104

and my first Pulp Fiction Poetry collection – Beat To A Pulp which is also now available via iBooks

Beat To A Pulp by Jason Disley

https://books.apple.com/us/book/beat-to-a-pulp/id1505713274

As well as releasing these books, in the last week I have written an article for Zani, which is an online magazine with articles covering a wide range of topics. The article I wrote was titled A Pint Of Bitter, Bound To Be A Good Thing… And was About British Jazz icon Tubby Hayes, and a new limited edition book that has been published by Mono Media Books. In the article I interview the main man behind the project-Mark Baxter, who is an author and film producer, amongst other things.

Tubby Hayes

You can read that article here, and if you are interested in this book about the British Jazz legend. You can follow the link for more information at the end of the article.

https://www.zani.co.uk/zani-music/item/3068-tubby-hayes-a-pint-of-bitter-bound-to-be-a-good-thing

So, as you can see – I have been fairly busy. However, the main thing I wish to bring to your attention is my new paperback that has been released – it is titled – Angel In Alabaster,

Angel In Alabaster the new book by Jason Disley is out now.

and is the sequel to Beat To A Pulp. It is a book I am very pleased with and continues with the theme of writing a prose tale in verse form. My interest in Pulp Fiction and Film Noir is very apparent in this book, and it contains moments that feel familiar, and comfortable within the environment of the tale. In fact. An up and coming writer – who is very hip to the world’s I allude to in the book has written a foreword to the book, which I feel gives the reader an insight into what Pulp Fiction Poetry, Or Film Noir Verse is. Here is that foreword:

FOREWORD

It’s a pulp world. A space where people make shapes, alloyed by desire. It’s where Exterior means: “I need to get from Point A to B, with a direct response,” as Interior leaves us groping for dark epithets with one hand, while knocking back a boiler maker with the other.
Jason Disley knows this world like the back of his hand. Read The Angel in Alabaster and you’ll be on several fifth drinking terms with it. It’s a warm enough room; a bourbon haze, a nascent lounge lizard on the Wurlitzer and a Turkish delight scarlet hue in the furnishing. Pick through the Fry’s, expect to stumble upon some ebon promise.
Loretta, Johnny, The Artisan: all creations unique to Jason’s palette – the wasp’s sting here is in their familiarity. The initial impact of The Angel in Alabaster comes from this sense of ironic comfort. For a long time fan of the novels of Raymond Chandler, the songs of Johnny Mercer and the silhouette of Gene Tierney, reading words that invoke 1940s LA hums the same heat as Vernon Duke’s mellow Manhattan Fall: “Glittering crowds (…) In canyons of steel / They’re making me feel I’m home.” But, as a later poet of sky rises observed, It’s also where the hatred is.
The Angel in Alabaster has a raison d’etre supplanted from a previous work, Beat to a Pulp: a juxtaposition of the argot of gumshoes and cheese cakes with the ennui of the verse styling found in T. S. Eliot’s 1920s modernism. In laymen’s terms, this is a way of depicting a story filled with the pulse of hard boiled sensuality, through a poetic metre impressing ‘hip’ speech rhythms, for those of a Spillane bent, at the same time as employing strong rhymes to locate a subtle sense of the universality of Noir in these Google fried times. “The stuff that dreams are made of” now so manifest that “doing a number” is as much part of the current bloodstream as a commonplace app; on its 20th Luckie for the day of course.
And this is where Jason mounts his own unique killer-diller.
Jason’s poetry in The Angel in Alabaster delves into Noir as an intrinsic part of so many of today’s cultural default mode. Sin City – look at the implied neons and Edward Hopper pallor. Peaky Blinders – the hissy darkness and ‘hat as icon’ imagery. Boardwalk Empire – well, It’s like a resort for…. Gangsters. However, Mr. Disley is anything but the lid on a semiotic dust bin. E. M. Forster told us to “only connect;” he could be describing the best way to tuck into The Angel in Alabaster’s rhyme of the non’lent gumshoe jazz riff. Dig the influences, connect the dots. How modernist.
Dot connection is indeed the thing wherein we catch the shtick of the Dis. Slang is normally habitual; It’s great paradox residing in it being always there, despite fashion making it permanently transient. Within the bounds of The Angel in Alabaster, it functions as a refining signifier, beckoning towards a signified inscribed with ‘pleasure.’ Jason’s utilisation of Eliot’s bleak poetics illustrates this best of all. Cf, The Waste Land:
She smooths her hair with automatic hand,
And puts a record on the gramophone.
‘This music crept by me upon the waters’ (…)
O City City (….)
Now ‘Angel’:
Johnny needed to shake the lead out of his shorts (….)
He would find the gator with a gat
Or the cat with a shiv
Who had decided the Lady in The Jade Dress must crowd (….)
He needed Seven to become Eleven in this crap shoot.

In The Waste Land, speech rhythm connotes towards ennui – a boredom that beckons towards an out of reach memory from a Tempest. In ‘Alabaster’, the metre is also of speech, but this time the modernist urge to make it new comes not as a lofty literary, but in a bouquet of side mouth rye. The fragments that Jason stores against The Artisan’s ruins read more like William Gottlieb’s photograph of 52nd Street: from swing to bop is the measure of Seven becoming Eleven. The Angel of Alabaster may allude to Eliot’s “a handful of dust,” in form; when read and digested, the grab is still there but definitely in a lamp gaze view – from the lipstick cap to Lana Turner’s eyes, plus John Garfield’s peak in between.
Whether you dream of Rita Hayworth or crack like Jimmy Cagney, rein in your 38. for Jason Disley’s latest invitation to the pulps. *

Nathan James Le-bas

*: All quotes from The Waste Land, The Complete Poems & Plays of T. S. Eliot (London, 1969).

Angel In Alabaster has a wonderful bookcover designed by Mark Head Aka Mr. H. Mark, designed the cover for Beat To A Pulp, and it seemed natural to ask him to design the cover for this collection.

The book is available now from

Support independent publishing: Buy this book on Lulu.

And soon it will be available from other online retailers such as Amazon.

Going forward, I am working on a third Film Noir Verse book, and the sequel to Seven Day Fool, titled Take It Or Leave It, this book will initially be made available as an ebook. I hope that when the time is right it will be published in paperback.

Lastly I wish to share a video of a poem I have written, that is a message for all of us at this time. As we all make our way through this Pandemic – follow the rules and keep safe. I will no doubt be sharing something else with you next Monday. JD.

Keep Your Distance

My Debut Album: Speakeasy

Speakeasy by Jason Disley – Available now!

It is now available! The spoken word album that began as a concept back in 2016.

When I was approached after sharing a poem on a popular social network, and asked if I would like to record something. I jumped at the opportunity. It was something that had never really crossed my mind. But, as soon as it was proposed, I thought – yes! So then Rick Blackman – the musician and producer who had proposed the idea – and I got to work on teaming up original compositions with my poetry. So it began – a fulfilling and exciting period of creativity. It was a project that was done over long distance. Rick lived up in the north west of the UK and I lived in the South West. But with the use of today’s technology we were soon able to work well together, swapping ideas and doing our best to create an interesting body of work. Both Rick and I love music and have an affinity with various styles of music. Both of us are interested in the history of British subcultures, especially the mid twentieth century. This is reflected in some of the music on the album. There are many nods to those periods. There is also a very European feel to it, and with one track – Breathless there is a real sense of French cinema in the music. In fact Breathless is read in French by Gabriela Giacoman – the lead singer of the French band French Boutik. Serge Hoffman, also of French Boutik also adds his voice at the start of the album, supplying and setting the scene with an introduction that allows the listener to imagine the album has been recorded live in a club in Paris.

To add to this, fellow writer Jason Brummell has kindly written a fictional scene as a foreword to the twelve page booklet that is included with the CD.

When Adam Cooper, the head honcho at Heavy Soul Records heard the demos and agreed to releasing the album. You can imagine how thrilled I was. This was an incredible moment. I was at the beach with my family when I received the call. You can imagine how I was when I heard the news. I was jumping up and down in my swim shorts on the beach. Onlookers probably thought I was trying to invent a new dance! I was that elated. Even with the yes, due to the schedule and the album taking its place in the run of things, it took another year for this release date to arrive. In the meantime I have worked hard at improving my craft. Becoming more comfortable with performance, (I even host a regular spoken word evening called Speaky Blinders) and have written quite prolifically. Returning to these poems will be a joy as I endeavour to share what is on the album in the coming months.

Here is just one of the tunes off the album for you

The Weekend – from Speakeasy by Jason Disley with music by Rick Blackman

Buy Speakeasy here! Heavy Soul Records

More news about Speakeasy soon.

JD.

Echoes Of Sea Shore Tides: spoken word and Our Place In The Seven Heavens.

I recently submitted a couple of poems to an exhibition at Artizan Gallery in Torquay which was curated by poet and artist Becky Nuttall and fellow poet Robert Garnham.

I was thrilled to have my poems included in the exhibition which juxtaposed the poetry with fine pieces of artwork.

The exhibition is a fantastic celebration of placing either yourself or the area of Torbay in a celestial place beneath the Moon. The whole nature of the exhibition was open for broad interpretation as all art should be. Provoking stimulus, whether it be memories, places, or

simply now.

Artizan Gallery website

The two poems I submitted were The Echo Of Sea Shore Tides, and The System AKA Grockle Town.

The first, Echo – is relating to life in a seaside town, the microcosm of rock pools, the way life changes with the Tides which are of course ruled by the moon. It reflects how the order of life can be changed, and yet there is always a glimmer of hope even when the natural order has been disturbed.

Provided by Jacob Brandon @artizangallery poem written by Jason Disley

The other poem was a poem inspired by a film and novel titled The System which was inspired and written about life in Torbay during the 1960s. The screen play was written Peter Draper, who also happens to be Becky Nuttall’s Father. She told me that her father actually coined the term “Grockle” which has since been entered into dictionaries meaning : a noun Grockle: derogatory term for holiday maker usually visiting Devon or Cornwall.

Now I myself used to visit Torbay as a child in the seventies and eighties, before moving to Devon in the nineties. I had seen first hand the way the local lads would charm the holiday makers looking for fun, romance and excitement. I myself upon moving here I will unashamedly admit behaved in a similar manner as I was a young single man looking to have fun. So, when I was given the opportunity to write a poem about Torbay The System came to mind. I have read both the book and watched the movie, and from my own experiences growing up felt suitably inspired.

The poem can be seen on display as part of the Exhibition which I highly recommend, and not just because I have a couple of poems on display there, but because there is a great mix of wonderful art and words on display.

The System starring Oliver Reed and Jane Merrow

The novel The System by John Burke and taken from the screenplay by Peter Draper

The back cover of the Pan edition of The System

I will be appearing at Artizan Gallery on Monday the 20th of May as part of a Live event that will include music and poetry.

I will be performing poems from my new collection Chaos Reigns Supreme. The poems that are in this exhibition and some poetry from previous collections.

JD.