New Books, and a New Start

Hi JD here. Beatnpress is evolving and the road ahead looks varied, inspirational and exciting!

Tomorrow May 31st you will be able to Pre order UB40 (A Legal Drug) by Tanya Kennedy from http://www.beatnpress.co.uk

This book is a departure from previous publications by Beatnpress – but still has all those ingredients that tick the boxes that make up the Beatnpress vision.

UB40 (A Legal Drug) by Tanya Kennedy available from http://www.beatnpress.co.uk

It is full of hope, aspirations, and life. Music is at its core and a personal journey evolves on the page that is as relatable, as it is fascinating. What’s more the book has been produced to raise money for a worthwhile cause. That being raising money for St Margaret’s hospice in Taunton.

The book will be retailing for £21 and has never seen before photos, and a foreword written by Robin Campbell.

Another recent publication is my book Pop Versus Subterranean – which I am pleased to say is, receiving some favourable comments. A collection of Modernist Beat Poetry that explores many topics and the relationship between Popular culture and the underground. From Art – to music, to politics and the Pandemic it is a series of thirty poems that either provoke or inspire.

Pop Versus Subterranean by Jason Disley

The first book to be published by Beatnpress that isn’t written by my good self is – in my humble opinion is something to celebrate. It also means that there could be opportunities for other aspiring writers. This new start could mean that a New Beat Generation can be realised. So, if you are an author, a poet, or someone that wants to see their Memoirs in print. Please email info@beatnpress.co.uk

Thanks

JD.

The Old Tin Sandwich

I have been so busy of late, working on several projects at once. You see with the Covid era we have been through, and the hours of not working at the “day job” because of furlough – it was necessary to keep active. To be creative, and occupied. So, as a writer and poet, it was a time of productivity. From writing articles for zines, to self publishing another book of poetry, to collaborating with other writers, and even recording a track for a spoken word album. On top of that I am working on a third novel, editing two books of my own, and helping a mate out with publishing a memoir written by his late wife for charity.

So, you can see. I haven’t been lazy, just watching Netflix and Amazon Prime the whole time.

The track for the spoken word album is called

A Dance With The Devil Called Chance, which appears on the new Croydon Tourist Office compilation Friends Of Croydon Tourist Office

Friends Of Croydon Tourist Office

This track is a whopping eight minutes and eight seconds long, and is an extract from another forthcoming book titled The Forgotten Whisper On The Wind, my third collection of Pulp Fiction Poetry. But, anyway I digress. With my latest collection of poetry Pop Versus Subterranean having recently been published, I realised that under my own imprint I had published ten books since 2016.

I had had the idea of my own small publishing press since the mid 90s, when I had embarked on trying to be a writer.

As those of you who have read my blog over the last few years, you will have seen that I am inspired by the Beat Generation, and being brought up in the 70s , I had developed that Punk attitude of doing it for yourself.

From my conscious decision came the idea of Beatnpress. So, naturally when I began to self publish I developed my “brand”. I had aspirations to not only write, but to help other writers. However, I had lacked the confidence to really go for it. That is, until now. When life was paused, it made me evaluate. I considered what I wanted to do. I saw what I had managed in recent years, but didn’t want to go backwards. I was more determined than ever to try and make things work. Opportunities come your way, and sometimes you need something to kick your behind – so that you can really make those dreams and aspirations come true.

By creating http://www.beatnpress.co.uk I have provided myself, not only a platform for myself, but hopefully in the future, a platform for others.

Something that, at the moment gives me a sense of pride.

Anyway. I am sure readers, you are wondering what all this has to do with an old “Tin Sandwich”? Well. Nothing really – apart from recently I wrote a poem that I thought I would share at the end of this post. 😊

The Old Tin Sandwich
Clamped between the lips
The tongue bending as the note is found.
The vibration waves through the
Comb
Then the Blues wails
With its responsive sound.
A rhythmic backbeat
Is found by stomping feet, claps or drums.

Yes the harmonica hums.
The he haw
See saw
And a bit of wah wah
Hollow cheeks filled and then empty
Giving the sound plenty-
Streaming across the teeth
Cupped hands
Wave
Fanning the passion
And
The emotion
As nearby
A Guitar simply weeps.
The hum is electric
As a crowd watches on.
The eyes are closed
Where did that note come from?
Is it a spiritual
A sound from the past?
Is it an echo of anguish
Or a triumphant sound?
Is it from down low
From beneath the ground?
Is it from the core.
Hunched over in midnight blue
A musician puts a spell on you.
The knee jerk of the call and response.
The onlooker may give a whoop of appreciation
Or just a silent nod
But either is alright
When it’s music that can be loved,
And the rhythms wash over you.
The Old Tin sandwich
Is never stale
When you learn to breathe life into the Cosmos.
©Jason Disley (April 2021)

The Old Tin Sandwich

Pop Versus Subterranean

The book cover design.

There is a new collection of what I term “Modernist Beat Poetry” coming out on March 26th. It is available via Beatnpress.

It is a collection that delves into various topics and thoughts during the last twelve months. The world is very much changed, as society has had to come to grips with the Covid 19 Pandemic. So, in this book some of the events and my personal perceptions are revealed. Such as, the Pandemic, Black Lives Matter, the Government, reflections on love, youth, the Jazz Age, suburban life , the influence of Pop Art, the Cosmos – understanding how we need to recreate our own space – virtual, fantasy or reality.

It is not unlike other books I have written, as there are elements of musicality in my poetry. I am fascinated by society, culture and art, and write honestly, sharing things as I perceive them. During lockdown, we all have moments of fear, horror, hope and yearning. Thereabout comes senses of rebellion and at times even confrontation. But, there are also moments of optimism and hope. Life is complicated, and as a writer I search for understanding. There are also moments where I drift into surrealism.

However the main focus in the book is the relationship between Popular culture, and underground culture. What is underground today, could be the popular culture of tomorrow. There are nods to Pop Art, and some quite Avant-garde ideas, as well as the fickleness of Pop. More niche ways of thinking are looked at by society with suspicion yet are equally valid. Underground movents or subcultures can express amazing wisdom and foresight. Some will disappear, but others will grow in popularity.

Jason Disley poet.

This book is like a collection of verbal photographs, it is a series of moments and thoughts made during 2020 – 2021, that I have recorded and chosen to share.

Pop Versus Subterranean the new book by Jason Disley

I hope though, that the work serves to inspire, and in a small way educate. Like my literary heroes, I believe in the art of expression. I self styled myself as a modern day Beat Poet because I have similar tastes to those that went before me. I live to live, and wholeheartedly take on board experience – no matter whether it is good or bad. I live in the moment, and take each day as it is. During the Pandemic, as with many of you out there, there have been difficult days, and days that seem easier. Creativity has helped me. As I am sure many of you out there have also been productive. This is the fruit of my labour. I hope you like it and whether it stays underground or becomes popular is not up to me. I just want it to be read, and hopefully appreciated.

The collection has a wonderful foreword written by poet and artist Becky Nuttall, who is also a curator of exhibitions and helps run Stanza Extravaganza, a (before Covid) regular spoken word event in Torbay. She has her own collection called Nick’s Gift – which I highly recommend. It is available from Amazon.

Pop Versus Subterranean will officially be available from Lulu.com as of 26th of March. It is also available via myself and in a few weeks time from various other online retailers.

The book retails at £10.99 +pp

Please send me a message if you would like a copy.

Here is the title poem. Pop Versus Subterranean:

The title poem: Pop Versus Subterranean by Jason Disley

Thanks for reading.

Jason Disley.

“Take It Or Leave It” Or more “Left than Taken” ?

“Take It Or Leave It” Or More “Left Than Taken”?

The New ebook by Jason Disley

When the Covid 19 Pandemic hit the UK with a lockdown in March 2020. I took the opportunity to self publish the sequel to my debut Novella Seven Day Fool. The novel titled Take It Or Leave It. The novel is a tale set a few months after the end of the first book, and sees the main character develop, and become the reluctant hero I wanted him to be.

Seven Day Fool by Jason Disley

I felt that due to lockdown, it was prudent to publish this second novel as an ebook. However, after publication it has not really sold. Naturally I questioned “why?” Initially it was formatting errors and Covid that delayed distribution. In fact despite re-formatting I am still trying to be patient as I wait for this novel to go through the whole global reach process, again, and be more widely available. So, yes. Take It Or Leave It is being more Left than Taken at this moment in time. But, I hope it will not remain so. I am after all quite proud of my imaginative story that puts one man into a situation that is quite profound and different from his life so far. It sees him discover what he is capable of, and his determination to get through to a conclusion that is for him, is satisfactory and just.

The tale pays homage to sixties spy novels, crime capers and the sort of Pulp Fiction I enjoy. With it being set in the sixties I am able to include elements of style and culture that are of that time. For me, the novel is quite cinematic, and it’s international flavour, and Cold War paranoia makes for the sort of thriller that although feels familiar, is just different enough that it achieves to bring to life that era without it feeling corny or a pastiche. The story is not Austin Powers meets James Bond and The Avengers. Its more The Ipcress File meets The Quiller Memorandum with a dash of The Saint in my mind. So, why am I sharing this?

Quite simply I want people to read my novel. Perhaps it’s my own insecurity as we live in these insecure times that has made me write this. I believe in the work I have spent many hours creating. But, without an agent or a traditional publisher – self promotion is the only option at this time.

As with all writers, one thing that inspires us is feedback, whether it be constructive criticism or praise. I want people to enjoy my novel. I want people to say yes – that was a great little tale. But equally, I want to hear where I can improve and develop.

So, please check it out. Maybe read it, and let me know if you were right to take it, or perhaps you feel you should have left it.

Buy Take It Or Leave It by Jason Disley here:

Buy Seven Day Fool here:

Hopefully next time I write here, I will have received some feedback with regards to Take It Or Leave It, and will have news about some of the other exciting projects I am working on.

For now, take care.

Jason.

Stateside Dreaming…

Those of you who have read my previous posts, know that I am inspired by the Beat Generation. I have mentioned the likes of Jack Kerouac, Allen Ginsberg et al in more than one article over the years. I don’t know why I always come back to the Beats. But, I often do. I suppose it’s that identification, with lonesome travellers, mavericks and people who want to dig everything. Get their kicks and be totally themselves.

My first introduction to The Beats, like many was the novel On The Road,

Pan cover for On The Road by Jack Kerouac

It opened my eyes to many things. I was a teenager, I was discovering my own taste in things. Because of this book I really began to appreciate Jazz, I also understood the need for kicks. I had yearnings, and wanted to live a life that was exciting, where I could appreciate everything that I experienced. Now, the point of this blog post today, is that since last Monday, whilst staying at home thanks to the Covid 19 Pandemic, I have been sorting many things out at home. Getting rid of junk, and whatnot. I found in in a shoebox a stack of papers. Some of which were half finished stories, others were original poems – all written twenty or more years ago.

One was the start of a short story or novella. I haven’t yet decided what it will be just yet. But, upon reading what I had, I found that I had a desire to rewrite it. The project I have subsequently called: Stateside Dreaming

It is the tale of a young man living in the North of England, who wants to experience America. He has a mundane, low paid job, he is an avid reader and more importantly a dreamer. He is also obsessed with the novel On The Road. (Sounds familiar?) Anyway, the tale opens with him quitting his job, and spontaneously heading off on his journey of discovery. The story then descends into a number of dreamlike episodes, some are disjointed like dreams can be, some are nightmarish, others are clear and focused reinforcing his ideas and decisions.

Whether the project will have legs. I don’t know. But, for the moment I am inspired to work on it, whilst also working on other things.

Stateside Dreaming, Jason Disley’s new writing project.

The main thing when you are staying at home, is finding other ways to travel, and, this is mine. Stay safe, and look out for a new article next Monday.

JD.

A Pint Of Bitter, and Pulp Fictions

It’s been a week, since I last posted anything. Last Monday I mentioned various book releases I have made available as ebooks. Such as my novella Seven Day Fool, which is now available via iBooks

https://books.apple.com/us/book/seven-day-fool/id1505606104

and my first Pulp Fiction Poetry collection – Beat To A Pulp which is also now available via iBooks

Beat To A Pulp by Jason Disley

https://books.apple.com/us/book/beat-to-a-pulp/id1505713274

As well as releasing these books, in the last week I have written an article for Zani, which is an online magazine with articles covering a wide range of topics. The article I wrote was titled A Pint Of Bitter, Bound To Be A Good Thing… And was About British Jazz icon Tubby Hayes, and a new limited edition book that has been published by Mono Media Books. In the article I interview the main man behind the project-Mark Baxter, who is an author and film producer, amongst other things.

Tubby Hayes

You can read that article here, and if you are interested in this book about the British Jazz legend. You can follow the link for more information at the end of the article.

https://www.zani.co.uk/zani-music/item/3068-tubby-hayes-a-pint-of-bitter-bound-to-be-a-good-thing

So, as you can see – I have been fairly busy. However, the main thing I wish to bring to your attention is my new paperback that has been released – it is titled – Angel In Alabaster,

Angel In Alabaster the new book by Jason Disley is out now.

and is the sequel to Beat To A Pulp. It is a book I am very pleased with and continues with the theme of writing a prose tale in verse form. My interest in Pulp Fiction and Film Noir is very apparent in this book, and it contains moments that feel familiar, and comfortable within the environment of the tale. In fact. An up and coming writer – who is very hip to the world’s I allude to in the book has written a foreword to the book, which I feel gives the reader an insight into what Pulp Fiction Poetry, Or Film Noir Verse is. Here is that foreword:

FOREWORD

It’s a pulp world. A space where people make shapes, alloyed by desire. It’s where Exterior means: “I need to get from Point A to B, with a direct response,” as Interior leaves us groping for dark epithets with one hand, while knocking back a boiler maker with the other.
Jason Disley knows this world like the back of his hand. Read The Angel in Alabaster and you’ll be on several fifth drinking terms with it. It’s a warm enough room; a bourbon haze, a nascent lounge lizard on the Wurlitzer and a Turkish delight scarlet hue in the furnishing. Pick through the Fry’s, expect to stumble upon some ebon promise.
Loretta, Johnny, The Artisan: all creations unique to Jason’s palette – the wasp’s sting here is in their familiarity. The initial impact of The Angel in Alabaster comes from this sense of ironic comfort. For a long time fan of the novels of Raymond Chandler, the songs of Johnny Mercer and the silhouette of Gene Tierney, reading words that invoke 1940s LA hums the same heat as Vernon Duke’s mellow Manhattan Fall: “Glittering crowds (…) In canyons of steel / They’re making me feel I’m home.” But, as a later poet of sky rises observed, It’s also where the hatred is.
The Angel in Alabaster has a raison d’etre supplanted from a previous work, Beat to a Pulp: a juxtaposition of the argot of gumshoes and cheese cakes with the ennui of the verse styling found in T. S. Eliot’s 1920s modernism. In laymen’s terms, this is a way of depicting a story filled with the pulse of hard boiled sensuality, through a poetic metre impressing ‘hip’ speech rhythms, for those of a Spillane bent, at the same time as employing strong rhymes to locate a subtle sense of the universality of Noir in these Google fried times. “The stuff that dreams are made of” now so manifest that “doing a number” is as much part of the current bloodstream as a commonplace app; on its 20th Luckie for the day of course.
And this is where Jason mounts his own unique killer-diller.
Jason’s poetry in The Angel in Alabaster delves into Noir as an intrinsic part of so many of today’s cultural default mode. Sin City – look at the implied neons and Edward Hopper pallor. Peaky Blinders – the hissy darkness and ‘hat as icon’ imagery. Boardwalk Empire – well, It’s like a resort for…. Gangsters. However, Mr. Disley is anything but the lid on a semiotic dust bin. E. M. Forster told us to “only connect;” he could be describing the best way to tuck into The Angel in Alabaster’s rhyme of the non’lent gumshoe jazz riff. Dig the influences, connect the dots. How modernist.
Dot connection is indeed the thing wherein we catch the shtick of the Dis. Slang is normally habitual; It’s great paradox residing in it being always there, despite fashion making it permanently transient. Within the bounds of The Angel in Alabaster, it functions as a refining signifier, beckoning towards a signified inscribed with ‘pleasure.’ Jason’s utilisation of Eliot’s bleak poetics illustrates this best of all. Cf, The Waste Land:
She smooths her hair with automatic hand,
And puts a record on the gramophone.
‘This music crept by me upon the waters’ (…)
O City City (….)
Now ‘Angel’:
Johnny needed to shake the lead out of his shorts (….)
He would find the gator with a gat
Or the cat with a shiv
Who had decided the Lady in The Jade Dress must crowd (….)
He needed Seven to become Eleven in this crap shoot.

In The Waste Land, speech rhythm connotes towards ennui – a boredom that beckons towards an out of reach memory from a Tempest. In ‘Alabaster’, the metre is also of speech, but this time the modernist urge to make it new comes not as a lofty literary, but in a bouquet of side mouth rye. The fragments that Jason stores against The Artisan’s ruins read more like William Gottlieb’s photograph of 52nd Street: from swing to bop is the measure of Seven becoming Eleven. The Angel of Alabaster may allude to Eliot’s “a handful of dust,” in form; when read and digested, the grab is still there but definitely in a lamp gaze view – from the lipstick cap to Lana Turner’s eyes, plus John Garfield’s peak in between.
Whether you dream of Rita Hayworth or crack like Jimmy Cagney, rein in your 38. for Jason Disley’s latest invitation to the pulps. *

Nathan James Le-bas

*: All quotes from The Waste Land, The Complete Poems & Plays of T. S. Eliot (London, 1969).

Angel In Alabaster has a wonderful bookcover designed by Mark Head Aka Mr. H. Mark, designed the cover for Beat To A Pulp, and it seemed natural to ask him to design the cover for this collection.

The book is available now from

Support independent publishing: Buy this book on Lulu.

And soon it will be available from other online retailers such as Amazon.

Going forward, I am working on a third Film Noir Verse book, and the sequel to Seven Day Fool, titled Take It Or Leave It, this book will initially be made available as an ebook. I hope that when the time is right it will be published in paperback.

Lastly I wish to share a video of a poem I have written, that is a message for all of us at this time. As we all make our way through this Pandemic – follow the rules and keep safe. I will no doubt be sharing something else with you next Monday. JD.

Keep Your Distance

Strange Times, and opportunities.

It has been some time since I wrote anything here. For that – I apologise. Life for everyone has reached a point that is very different from the norm. I have been busy, and in the coming months will be taking the opportunity of self isolation to complete various writing projects. In fact – I am here to show you how busy I have been!

Seven Day Fool – my debut novella First published in 2017 has been made available as an ebook

Firstly I wish to announce that my debut novella Seven Day Fool which was published in paperback by Suave Collective Publishing has been released as an ebook. At this time of social distancing, many of us have more time on our hands to read. Whereas a real book to hold is preferable, digital copies are essential at this time. In a few weeks – the sequel to Seven Day Fool, a book I have titled Take It Or Leave It will make its debut as an ebook, with the hope it will be published in book form some time next year, when Covid 19 is hopefully is nothing but a memory, and life has some sort of normality with personal freedoms restored.

As well as prose, I have been writing a lot of poetry. All of which is available from Lulu. Com

http://www.lulu.com/spotlight/Beatnpress

Two of my poetry collections, are what I term Film Noir Verse or Pulp Fiction Poetry.

Beat To A Pulp & Angel In Alabaster by Jason Disley.

Beat To A Pulp has been available as a paperback since 2018, but, as of this week it is available as an ebook. Angel In Alabaster – a sort of sequel to Beat To A Pulp is available now from Lulu.com,

http://www.lulu.com/spotlight/Beatnpress

It will no doubt be available as an ebook at some point in the not too distant future.

Over the coming weeks, I will endeavour to make the majority of my books available to download. I will also take this extra time on my hands to continue to write and work on other projects.

I will also endeavour to write more articles and keep you readers informed with my writing exploits. Next week I will be writing about Speaky Blinders a Spoken Word night I Co-host with Robert Garnham, the new You Tube Channel for Speaky Blinders, and a recent digital single I have released, which is available via various platforms.

For now I say good bye, I wish you all well – and ask that you stay safe – and maybe read a book, or even write something yourself. 😊

Jason Disley.

News: Chaos Reigns Supreme and a Heavy Soul…

Chaos Reigns Supreme

I am back!

And…

I have a new collection of poetry out! It will be officially launched on May 7th. I can’t wait to get it out there for people to read.

It has been a while since I have posted anything here – Something I should rightly apologise for. So, I am sorry. I promise not to take so lo g before I write something here again.

It has simply been, that I have been extremely busy of late, and, it really doesn’t look like the workload is going to change anytime soon either! Which is a good thing. Its good to keep busy. I have recently completed the sequel to my novel Seven Day Fool a book called Take It Or Leave It, It has been sent to the publisher. I have also been performing regularly at spoken word events. I recently took part in the Torbay March Of The Mods event at the end of last month, which saw as usual a group of like minded people helping raise money for the Teenage Cancer Trust, a very worthy cause.

As well as all that – I have collated the twenty five poems that are in this new collection. Chaos Reigns Supreme.

The book is titled after a poem I wrote and have performed a few times at spoken word events. It’s subject matter reflecting the current state of affairs in the UK, and Europe. Here is that very poem that inspired the collection.

Chaos Reigns Supreme (The Bongo Edit)

The collection isn’t all doom and gloom though. There is light and shade as it deals with many aspects of life. It doesn’t shy away from moral panics, but also looks at existence and the necessity of hope. Poems with titles such as Things Are Changing, and A Positive Flame, are in there, as well as poems such as Knife Crime, and If Poems Were Bullets. It is a collection that reflects society at a time when Chaos does seem to be everywhere. But, the truth is – there should always be a glimmer of hope. A voice of reason for us all. The book is my voice of reason, with honesty at its core. It is a book that apparently

Combines the rhythms of 1950s Beat Poetry, with a fresh look at modern life, and illustrates them brilliantly with his verse (Pulp Magazine)

The book can be ordered here:

Chaos Reigns Supreme by Jason Disley on Amazon

Heavy Soul!

At long last the wait for my debut album to be released is almost over. Adam Cooper the head honcho at Heavy Soul! Records confirmed recently that Speakeasy is the next album to be released on the label. The poems that are on this unique spoken word album were written many years ago. In fact a couple of them were in my first publication way back in 1996! So, finally sharing them via an album is a big deal for me. The music that accompanies them was written and produced by Rick Blackman. A man whose musicianship, knowledge and creativity is simply superb. He is a true modernist with always a view to moving things on, not standing still and takes those recognisable elements of the past and shapes them into wonderful new things. It has been an honour to do this collection. Which I have mentioned in various other articles I have written previously.

Heavy Soul Records 2019 releases

So, that is my news for now. Please feel free to purchase any of my books that are available online. Or contact me for info on performances etc.

Until the next time

All the best.

Jason.

P. S.

For more news about Heavy Soul go to

Heavy Soul! Records

They have some fantastic music available.

Beat To A Pulp – A collection of Film Noir Verse

It’s Noirvember and the perfect time of year to luxuriate in the comfort of your home watching classic movies like The Big Sleep, or Key Largo, maybe Double Indemnity or other such films. Likewise you could read books by authors such Raymond Chandler, Micky Spillane or Dashiell Hammett to name but just three of the great Pulp Fiction writers out there that have influenced the Film Noir genre. Or you could dip into my book –

Beat To A Pulp.

available at Lulu. com

It’s a great slice of the Pulp genre – even if I say so myself. It has all the ingredients of Pulp Fiction and a good Film Noir. It has characters easily recognisable from the genre. Ruby the Femme Fatale, Johnny – On – The – Spot, and Jack Rabbit Blood – two rival Gangsters, and Aldous Beech the hardboiled detective. But, this book is a Pulp Fiction with a difference. It is written to the rhythms of Jazz, and flows in verse form. It is a form of prose/poetry. Each snippet leads to the next, as each “poem” is read in order – so a film noir reveals itself in the readers imagination. It isn’t poetry that provokes deep thought. It is poetry for pleasure. It’s story telling in a way that is perhaps a little different from your normal book.

I am proud of it, and hope that should anyone buy a copy that they enjoy it. It’s an original tale, but has a familiarity about it. It will hopefully be appreciated like a favourite classic movie or a thrilling detective story.

Since the books release on Lulu earlier this month. I have been performing some of the poems.

It allows me to get my creation out to a different audience. It’s title Beat To A Pulp is obvious. I am after all a poet who enjoys performing. This book is my concept album. It’s full of Jazz and tells a story.

Here is a snippet from the book:

Doing A Number by Jason Disley – taken from Beat To A Pulp

Jason Disley reading from his new book Beat To A Pulp

The book is currently in the global reach system and will be available in paperback from Amazon and other online retailers soon There are also plans for an ebook version in the New Year.

If you want a copy for Christmas for someone- to guarantee it’s delivery please order direct from Lulu (see the available at Lulu link above) updates on other retailers will be announced in future posts.

In the meantime enjoy the rest of Noirvember. Thanks for reading Jason Disley.

Beat To A Pulp, and Jazzy numbers.

I have been busy. Extremely busy. Last month saw my run of poetry performances hitting an all time high. So much so – I haven’t posted anything here for while. For that I can only apologise. Having performed in Torquay, Paignton, Newton Abbot and a gig in Birmingham it is a wonder I have had time to focus on other things. But I am pleased to say I have. I have been adding the final touches to my new book which will be available soon. My book is a poetry collection that is different from anything else I have ever written. It is a complete Pulp Fiction tale told in verse form.

Here is the blurb from the back cover:

“In this, epic collection, Disley has conjured up a cast of characters that shimmer, dodge and thrill the page with a story straight out of storyvile”

SJ Knight – Crime Fiction Writer

Firmly set in the period of Pulp and Noir of the twentieth century in an unnamed American city- Beat To A Pulp delivers poetry that’s full of the jive talk you would expect to read in Hammett, Chandler and Spillane.

It’s a Beat Poet delivering his version of a Pulp Fiction. It’s straight from the fridge and if you’ve got your boots on, you will dig the jive and imagine what happens when the canary sings.

The book is published by Beatnpress.

Now that the book is practically complete, it’s forty poems, are also ready to be performed and on the 14th of this month I will be debuting a handful of the poems from this collection. If you are a fan of Pulp Fiction, and Film Noir like I am. You will know that Jazz is often associated with the movies, and tales in the Pulp oeuvre. So naturally as my thoughts move towards performing and breathing life into the poems. I immediately felt it was right to have some suitable jazz to play in the back ground whilst reading. Enhancing the experience and hopefully allowing for a Film Noir to play in the minds of the audience.

So I have made a suitable Spotify playlist. It is only short and comprises of just three tunes.

1) Main Title by Gerry Mulligan

2)Private Investigator by Graham De Wilde

3) Gumshoe Blues by Paul Pritchard.

You can listen to the playlist here:

Beat To A Pulp Tracks

No doubt as I add more of the poems to the performances I will add more music to the playlist.

The debut performance will be at Word Command at Zitas in Exeter.

If things develop as I hope I would love to turn this collection into a play also. To see the characters come to life would be incredible. It would also be another string to add to my writing bow. But for now I am just so happy to share that this collection is going to be available to read soon. The book cover has been designed by Mr. H. He has also provided six images within the collection to accompany the poetry. Mr H. also designed the cover to my debut novella Seven Day Fool.

Mr H Design Co

More news about Beat To A Pulp soon…